CF Source: Creative

2014 Overall Winner

Jennifer Makumbi; Short Story

Jennifer MakumbiJennifer Nansubuga Makumbi from Uganda, Regional Winner (Africa Region), is the Overall Winner of the Commonwealth Short Story Prize, 2014. 

The winning story was announced in Kampala, Uganda, on 13 June, 2014 by the novelist and short story writer Romesh Gunesekera.

The Commonwealth Short Story Prize unearths, identifies and develops original voices from the 53 countries of the Commonwealth. This year unpublished stories were entered by nearly 4,000 writers from the five Commonwealth regions. The award was presented in Kampala, Uganda, on 13 June by the novelist and short story writer Romesh Gunesekera.

The judges praised Jennifer’s short story, Let’s Tell This Story Properly, for its risk- taking, grace and breadth.

The winning story is about a grieving widow who arrives at Entebbe Airport from Manchester with her husband’s coffin, but events take such a dramatic turn that she must relinquish her widowhood and fight.

“This is a dream. For Uganda, once described as a literary desert, it shows how the country’s literary landscape is changing and I am proud to be a part of it. The Commonwealth Short story Prize will help bring attention to Ugandan writing at a global level,” said Jennifer Makumbi, who lives in Manchester, UK.

Listen to a BBC World Africa podcast featuring Jennifer here.

Watch the prize announcement and Jennifer’s acceptance speech:



Watch Jennifer talking to Chair of the judging panel, Ellah Wakatama Allfrey the morning after the announcement:

The judges represent the five regions of the Commonwealth: Africa, Asia, Canada and Europe, Caribbean, and the Pacific: Doreen Baingana, (Africa), Jeet Thayil (Asia), Courttia Newland (Canada and Europe), Marlon James (Caribbean) and Michelle de Kretser (Pacific).

cw-Ellah-Allfrey-judgeEllah Wakatama Allfrey, said: “The winning stories from each region boasted craft, intelligence and ambition. Choosing one overall winner felt an impossible task.  In the end, we felt that the characterisation in Jennifer Makumbi’s Let’s Tell This Story Properly, with its bereaved widow living in London and gaggle of feisty ‘women of a certain age’ disrupting a funeral, and its narrative style that draws on a powerful national heritage of dramatic story-telling, significantly expanded our understanding of the possibilities of the short story form.”   

Lucy Hannah, Programme Manager, Commonwealth Writers, said: “This year the entries to the Commonwealth Short Story Prize almost doubled. The popularity of the short form is growing and Commonwealth Writers is proud to promote the strongest new voices from across the Commonwealth, such as Jennifer Makumbi.”

Commonwealth Writers has an association with the London-based literary and media agency Blake Friedmann, which will work with selected writers identified through the Prize.

Juliet Pickering, agent at Blake Friedmann, said: “It has been eye-opening, inspiring and wonderful to read the range of entries from these Commonwealth Short Story writers. British publishing should always be seeking new voices from around the world, and I feel very lucky to have glimpsed a selection of some of the finest writing talent from the Commonwealth countries, and look forward to working with these writers in the future.”

Commonwealth Writers has partnered with Granta magazine to give the Overall Winner of the Commonwealth Short Story Prize the opportunity to be published by Granta online. You can read Jennifer’s winning story here.

 

South to South?

Commonwealth Writers Conversation – The Untold Story: South to South? Visions of sustainable development through the creative imagination.

Conversation; social change; debate

On 14 June in Kampala, Ellah Wakatama Allfrey (Chair of the 2014 Commonwealth Short Story Prize) chaired a conversation between Shahidul Alam (Bangladesh), Cresantia Frances Koya Vaka’uta (South Pacific), and Mike van Graan (South Africa) to explore inspiring and realistic visions for sustainable development and respond to the question:  how can artists, writers and arts organisations be more effective in getting “culture” on the political agenda as a driver of sustainable development and social change? What creative ways can the arts be used for development?

 

Shahidul Alam (Uganda CWC)Shahidul Alam is a photographer, writer, curator and activist. He set up the award-winning Drik agency and Pathshala, the South Asian Media Institute. Director of the Chobi Mela festival and chairman of Majority World agency, his work has been shown in New York, Paris, London and Tehran. Commenting on Shahidul’s recent book My Journey as a Witness, John Morris, picture editor of Life Magazine said, “One of the most important books ever created by a photographer, and it goes far beyond photography.” 

 

Frances KoyaCresantia Frances Koya Vaka’uta is a lecturer in Education at the University of the South Pacific. Her doctoral thesis explored Pacific understandings of ecologically sustainable development through Samoan and Tongan Heritage Arts. Her research interests include Protest Poetry and Pacific Research and Evaluation. A poet and artist, she is interested in the role that the arts can play in formal and non–formal education with reference to issues of resilience, sustainability and crisis in the Pacific islands.

 

 

 

Commonwealth Writers Conversation; Development; WritersMike van Graan isan award-winning playwright andExecutive Director of the Cape Town based African Arts Institute (AFAI). AFAI’s mission is to develop leadership for Africa’s creative sector and to build regional markets for African artists. He was founding Secretary General of Arterial Network, a pan-African network of artists and cultural activists in the creative sector and its contribution to human rights, democracy and development. He is a Technical Expert on UNESCO’s 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions and Associate Playwright of Artscape in South Africa.

 

 

 

cw-Ellah-Allfrey-judgeEllah Wakatama Allfrey is an independent editor, critic and broadcaster. She was Deputy Editor of Granta magazine and Senior Editor at Jonathan Cape, Random House. She sits on the boards of English PEN and the Writers’ Centre Norwich and is Deputy Chair of the Council of the Caine Prize for African Writing and a patron of the Etisalat Prize for Literature. Her journalism has appeared in the Independent, the Guardian, the Telegraph the and the Observer and she is a regular contributor to the book pages of NPR. A Fellow of the Royal Society of the Arts, Allfrey was awarded an OBE in 2011 for services to the publishing industry.

 

 

 

 

 

 

 

 

 

 

 

Pacific Voices

PACIFIC_VOICES_6

Thank you everyone for joining us for this broadcast.  We appreciated all your questions and a big thank you to Tusi, Kath, Max and to the School of Design, College of Creative Arts, Massey University, Wellington, NZ.

Tusi Tamasese, Samoan born award winning writer and film director talked to Kath Akuhata-Brown about his work.

The focus of the webcast was on:

– The writer’s journey
– Indigenous storytelling
– Advice to emerging filmmakers / writers.

The audience asked questions and engaged with the speakers and one another throughout the session.

Commonwealth Writers and B3 Media worked together to deliver this webscast with special thanks to the School of Design, College of Creative Arts, Massey University, Wellington, NZ.

This webcast built on the Commonwealth Shorts project. This was a partnership between Commonwealth Writers, B3 Media and CBA Worldview to give emerging writers / directors the opportunity to make a film which highlighted issues affecting them and their communities. The project culminated in a production lab for five international film makers, plus eight emerging film makers from the wider Pacific region held in Auckland, New Zealand in February 2013.

 

 

orator3-1Speaker: Tusi Tamasese

Samoan born, Wellington based writer and film director. Tusi wrote and directed his first 15 minute short, Va Tapuia (Sacred Spaces), which was screened at the 2010 NZ Film Festival and then at festivals around the world. He went on to make the Samoan language feature film, The Orator (O Le Tulafale) funded by the New Zealand Film Commission and the Samoan government. The Orator is the story of a small taro farmer who has to find the courage to defend his land and family against adversaries. The Orator had it’s World Premiere in competition at the Venice Film Festival in 2011, screened in the Spotlight Section in Sundance and was submitted to the 84th Academy Awards as New Zealand’s first Entry for the Foreign Language section.

“I was interested in the image of a chief — an orator — in Samoa: to me an orator is tall, fearless and well-spoken. I wanted to see what happens when you strip that away, and I ended up with a small person as a metaphor.”

          – Tusi Tamasese on The Orator.

orator1-1Moderator: Kath Akuhata-Brown

Kathryn Akuhata-Brown is of Ngati Porou descent, the Maori tribe that extends around New Zealand’s North Island East Coast. She is a writer, director and script editor. Kath was a development executive at the New Zealand Film Commission, the Chair of Script to Screen New Zealand, on the industry advisory board to Auckland University and currently sits on the board of Te Paepae Ataata, the Maori feature film development fund. Her background includes writing drama, documentary and docudrama for television. Kath is currently working with Producer Robin Laing on her first feature.

 

Watch the trailer to The Orator here 

 

 

 

 

 

 

 

 

 

 

 

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Films

Commonwealth Shorts is a capacity building scheme to give emerging writers/directors the opportunity to make a film which highlights issues affecting them and their communities on the theme of relationships. The initiative is a partnership between Commonwealth Writers, B3 Media and CBA Worldview. The documentary and four dramas explore migration, indigenous rights and same-sex relationships. The five film makers: Kareem Mortimer from Bahamas, Lisa Harewood from Barbados, Jules Koostachin from Canada, Wanjiru Kairu from Kenya and Oscar Kightley from New Zealand, were selected from hundreds of submissions from across the Commonwealth and underwent an intensive development process with the project partners to produce the films.

The most recent screening of the films was at The Soho Hotel, London in March and the films are now available online (see below).

These films premiered at the Bristol Encounters Film festival in the UK in September 2013. The five emerging film makers from across the Commonwealth first gathered in Auckland, New Zealand in February 2013 for the launch of the five short films. The screening took place at Academy Cinemas, in association with Documentary NZ Trust and with support from the New Zealand Film Commission. This followed a film production lab in Auckland for the five film makers with eight writers/directors from the Pacific region.

News of the next phase of Commonwealth Shorts will be coming soon.

For interviews with the filmmakers please click on their names below:

 

Jules Koostachin, Canada

PLACEnta
Jules sets out to find a place for her Cree Nation traditional placenta ceremony.

 

Kareem Mortimer, Bahamas

Passage
A group of Haitian refugees are smuggled on a Bahamian fishing vessel from the Bahamas into North America.

 

Lisa Harewood, Barbados

Auntie
Focuses on an often ignored side effect of migration – the disruption and heartache caused to the lives and relationships of the people left behind.

 

Wanjiru Kairu, Kenya

New Year’s Eve
A married man struggles to come out of a life of deceit, or risk losing true love.

 

Oscar Kightley

Oscar Kightley, New Zealand

Tom’s Dairy
A love song to a childhood in a changing suburb.

 

‘These five films are the culmination of many months’ work by emerging international film-makers. We’re excited to be here with our local partners: Documentary NZ Trust and the New Zealand Film Commission to give the films their first screening. It’s also been an opportunity for film makers from the wider Pacific region to benefit from a production lab and a chance for Commonwealth Writers to promote their work to a global audience.’  Lucy Hannah, Programme Manager, Commonwealth Foundation

‘CBA WorldView usually provides support for international factual films but as in the case of these short films, drama enables film makers to tell powerful and important stories that would otherwise remain untold.’ Sally-Ann Wilson, Secretary-General, CBA WorldView

 

‘Commonwealth Shorts is an exciting initiative which provides a needed platform for emerging film-makers from the Commonwealth.  It also provides a useful outlet for the next wave of gifted storytellers who are able to bring their stories to audiences locally and globally, from the big screen and beyond.’ Marc Boothe, Executive Producer, B3 Media

Some of the film makers line up for the screening in Auckland


Lisa Harewood, Kareem Mortimer, Marc Boothe (B3 Media), Oscar Kightley, Wanjiru Kairu, Jules Koostachin & Lucy Hannah (Commonwealth Writers)

#cwshorts

Advocacy

Commonwealth Shorts is a capacity building scheme to give emerging writers/directors the opportunity to make a film which highlights issues affecting them and their communities on the theme of relationships. The initiative is a partnership between Commonwealth Writers, B3 Media and CBA Worldview. The documentary and four dramas explore migration, indigenous rights and same-sex relationships. The five film makers: Kareem Mortimer from Bahamas, Lisa Harewood from Barbados, Jules Koostachin from Canada, Wanjiru Kairu from Kenya and Oscar Kightley from New Zealand, were selected from hundreds of submissions from across the Commonwealth and underwent an intensive development process with the project partners to produce the films.

The most recent screening of the films was at The Soho Hotel, London in March. You can watch the films here.

These films premiered at the Bristol Encounters Film festival in the UK in September 2013. The five emerging film makers from across the Commonwealth first gathered in Auckland, New Zealand in February 2013 for the launch of the five short films. The screening took place at Academy Cinemas, in association with Documentary NZ Trust and with support from the New Zealand Film Commission. This followed a film production lab in Auckland for the five film makers with eight writers/directors from the Pacific region.

News of the next phase of Commonwealth Shorts will be coming soon.

Creative Opportunities

Here we bring together new opportunities, competitions or residencies which might be of interest to artists across the Commonwealth.

Are you an arts organisation with an opportunity that you would like to share with our community? If so, please email creatives@commonwealthfoundation.com.

Please note that these are not Commonwealth Foundation projects (unless specifically stated). Enquiries about these opportunities should be made direct to the organiser.

The Environment in Fiction

Commonwealth Writers Conversation – The Untold Story: ‘The Environment in Fiction’

CWC Hay

29 May, 2014, 1pm, Hay Festival, Wales. Chaired by Daniel Hahn (far left), the panel (from left to right) brought together UK novelist Maggie Gee, Sri Lankan blogger and short story writer Michael Mendis, and Jamaican environmental activist and author Diana McCaulay, to explore what happens when the natural world and fiction meet. The conversation generated debate on Twitter under #cwconvo.

Twitter Commonwealth Writers Conversation Hay

Chair Daniel Hahn opened the conversation by asking what motivated each of the panellists to write. The writers agreed that their work reflected a deeply personal attempt to understand the world around them: “I want to figure things out for myself” (Michael); “an integral part of how I make my way through life” (Diana); “it’s a way of understanding the world” (Maggie). Diana suggested that her writing was firstly an “internal conversation” and the thought of a reader only came later on in the creative process.

Maggie said that she thought of herself as a storyteller, detailing the untold stories that “politicians and journalists aren’t telling”.  Michael also noted the exciting potential for his writing to change people, particularly through the increased immediacy the digital age provides. He suggested that blogging empowered him with the means to write about subjects external to the narrow scope of the conventional publishing world.

Although Diana’s work less obviously deals with environmental issues, she argued that the natural world was implicitly integral through the novel’s emphasis on Jamaica as a place. Drawing attention to the unfortunate distinction made between environment and society, she suggested that, although her work may not be about to “save a spotted owl”, it does chart the connections to place in a country where most people are “transplants” through immigration and colonialism. Maggie also agreed on the intertwining of place and environment, pointing out that environment means what is around us.

An engaged crowd at the Hay Festival’s Good Energy Stage were then given the opportunity to join the conversation. One question for the panellists asked whether fiction was the right tool to depict environmental issues, or whether fiction takes away from the facts? In response, Diana argued that although fiction may not necessarily lead to environmental activism, it does help to create a “certain responsiveness” in its readers. Maggie agreed, suggesting that the limitless boundaries in fiction enables people to “get into other people’s shoes”.  Following this line of thought, Michael drew attention to the way fiction forces the reader to inhabit other lives and continually ask themselves “what if it was me?” in a way that can lead to positive change.

Connect with us on Twitter @cwwriters, and use #cwconvo to continue the debate.

 

Panellists:

Maggie Gee OBEMaggie cropped leopard skin on beach

Maggie writes about global warming and environmental breakdown in many of her fourteen books, including Light Years (1985), Where are the Snows (1990), The Ice People (1998), and The Flood (2004) (all in new editions from Telegram). Her new novel, Virginia Woolf in Manhattan, comes out in June 2014. She is Vice-President of the Royal Society of Literature and Professor of Creative Writing at Bath Spa University.

 

 

 

 

Diana McCaulay; Writer In Residence; Diana McCaulay

Diana is an award-winning writer and environmental activist, resident in Kingston. She has written two novels, Dog-Heart (2010) and Huracan ( 2012), published by Peepal Tree Press in the United Kingdom. Both novels met with critical acclaim and broke local publishing records.

 

 

 

 

 

Michael MendisMichael Mendis

Michael is a writer whose work bridges fiction and non-fiction. The winner of the (Asia Region), his story was published on Granta online in May 2013.

 

 

 

 

 Chair

Daniel HahnDaniel Hahn

Daniel is a writer, editor and translator with some forty books to his name, which have won him the Independent Foreign Fiction Prize and the Blue Peter Book Award. He is currently translating an Angolan novel and compiling the new Oxford Companion to Children’s Literature.

 

 

 

 

 

 

Culture and Conflict

Culture is deeply embedded both in the substance of conflicts and the way in which people deal with conflicts. This is a partnership between the Commonwealth Foundation and the Prince Claus Fund for Culture and Development which supports specific groups to develop and deliver cultural projects which have a positive impact in areas of conflict and post conflict, such as Women Filmmakers of Zimbabwe and Laajverd, producers of comic strips in Pakistan.

The Culture and Conflict programme was a three year initiative to use culture to engage with people and communities in four countries which have undergone recent social upheaval and conflicts – Zimbabwe, Sri Lanka, Rwanda and Pakistan. It awarded grants and carried out research with eight organisations working in this field:

Zimbabwe – zim.doc, Women Filmmakers of Zimbabwe and Mindblast, Pamberi Trust

Sri Lanka – Voices in Peacetime – Her-Stories of Resilience & Hope, Viluthu and SINTAMU, Natanda Dance Theatre of Sri Lanka

Rwanda – East African Nights of Tolerance, Amizero Kompagnie and Youth Centre for Art Therapy (YOUCART), Ivuka Arts

Pakistan – Bacha Bulletins, Laajverd and This is my story: Dialogue with Pakistan,  The Citizens Archive of Pakistan

In February 2014 representatives from these organisations will begin to establish an online network to support those working in this area, particularly those who’re working in collaboration with civil society organisations that are using the arts to engage with communities to build peace and reconciliation.

2014 Regional Winners

Short Story Prize; social change; Asia, Pacifc, Africa, Canada, Europe, Caribbean

On 13 June Commonwealth Writers announced the Overall winner of the 2014 Commonwealth Short Story Prize in Kampala, Jennifer Nansubuga Makumbi. Jennifer’s entry is one of five regional winning stories which are now all available to read by clicking the title links below.

Overall and Regional Winner, Africa

Let’s Tell This Story Properly, Jennifer Nansubuga Makumbi (Uganda)

Nnameya is the grieving widow when she arrives at Entebbe Airport from Manchester with her husband Kayita’s coffin. But then events take such a dramatic turn that she must relinquish her widowhood and fight.

Jennifer MakumbiJennifer Makumbi is a Ugandan novelist and short story writer. She studied Creative Writing at Manchester Metropolitan University. In 2012, her short story The Accidental Seaman was published in Moss Side Stories by Crocus Books. In 2013, her poems, Free Range, and Father cried in the kitchen were published in Sweet Tongues. Jennifer also has a PHD in Creative Writing from Lancaster University and her doctoral novel, The Kintu Saga, won the Kwani Manuscript Project in 2013. The novel will be published in the summer of 2014 under the title Kintu. Jennifer teaches Creative Writing at Lancaster University and is currently working on her second novel, Nnambi. 

“I screamed when I learnt the news! To win the regional (Africa) leg is a privilege. It will bring attention to my writing and to Ugandan writing at a global level. I am immensely grateful to Commonwealth Writers.”

On learning that she had become the Overall Winner of the Commonwealth Short Story Prize, 2014, Jennifer said:

“This is a dream. For Uganda, once described as a literary desert, it shows how the country’s literary landscape is changing and I am proud to be a part of it. The Commonwealth Short story Prize will help bring attention to Ugandan writing at a global level,”

For a full report on the 2014 Commonwealth Short Story Prize announcement in Kampala, including an interview with Jennifer and photographs click here. Commonwealth Writers partnered with Granta magazine to give the Overall Winner the opportunity to be published on Granta online.

 

Regional Winner, Asia

A Day in the Death, Sara Adam Ang (Singapore)

A Day in the Death is a story about someone trying to tell a story. It includes a distressingly un-dramatic suicide, facts and knowledge about Singapore in the early 20th century and the workers who built the city.

Sara AngSara Adam Ang is a recent graduate of the National University of Singapore, majoring in History. Sara has had a keen interest in writing fiction for many years. As an emerging writer keen to make her mark in the literary world, the shortlisting of A Day in the Death, one of her first stories, is a major milestone in her career. She is in the process of seeking out her next writing challenge.

“To me, winning the Asia regional prize means three things. The first is money, the second is moderate anxiety about whether I deserved it, because by my own standards I feel like I can do better; and the third is that if something I write is being seen as on the same level as actual professional writers, then maybe I could be one too!”

 

 

Regional Winner, Canada & Europe

Killing Time, Lucy Caldwell (United Kingdom)

A young girl just turned thirteen tries to take her own life. She swallows down as many paracetamol and baby aspirin tablets as she can and goes downstairs to have dinner with her family. That evening, and in the days that follow, she waits for something to happen, caught between the equally terrifying possibilities that something might, and that nothing will at all.

Author Lucy Caldwell at the launch of her latest book, "All the Beggars Riding" at The Ulster MuseumLucy Caldwell was born in Belfast in 1981. She is the author of three novels, several stage plays and radio dramas.  Her writing has won numerous awards, including the George Devine Award, the Imison Award, the Dylan Thomas Prize and the Rooney Prize for Irish Literature.  Her latest novel, All the Beggars Riding, was selected for Belfast’s and Derry-Londonderry’s One City One Book initiative in 2013.  She is currently working on her fourth novel and her debut collection of short stories.

“I am thrilled to hear that my story Killing Time has been chosen as the Canada and Europe regional winner.  It was a very difficult story to write, and took well over a dozen entirely new drafts for me to get the balance and tone of it right.  At several points I almost abandoned it entirely.  So it’s a huge boost for it to receive such recognition.”

 

 

 Regional Winner Caribbean

Sending for Chantal, Maggie Harris (Guyana)

The leaving of children with relatives whilst parents go abroad to seek employment is a familiar story, borne by promises of eventually being ‘sent for’. But what happens when a child never gets sent for? The central question remains, how do we measure achievement, and at what cost is economic migration to displaced and ‘broken’ families?

Maggie HarrisMaggie Harris is a Guyanese-born author who migrated to the UK in 1971. She holds a BA Honours Degree in African/Caribbean studies and an MA in Post-Colonial Studies from Kent University. She won the Guyana Prize for Literature in 2000 for her poetry collection, Limbolands. Other collections include From Berbice to Broadstairs,  After a Visit to a Botanical Garden and Sixty Years of Loving (Cane Arrow Press). She has written a number of short stories, including the collection Canterbury Tales on Cockcrow Morning, (Cultured Llama Press), and her own memoir, Guyana Kiskadee Girl. .

“I am overwhelmed and thrilled to receive this acknowledgement of my work, and to represent the Caribbean. A writer’s life is full of ups and downs and I am very grateful to be granted this fantastic opportunity to share my writing with a wider audience. The story of Chantal is one that I have carried in my mind for a very long time.”

 

Regional Winner, Pacific

The Dog and the Sea, Lucy Treloar (Australia)

An old man who lives by the sea is kept company by his dog, the fragmentary stories contained in his troubled past, and a small boy who visits each summer.

Lucy TreloarLucy Treloar was born in Malaysia and attended schools in Melbourne, England and Sweden. A graduate of the University of Melbourne and RMIT’s Professional Writing and Editing program, Lucy is a writer, editor and creative writing teacher working in Australia and in Cambodia, where she has lived for a number of years. Lucy’s short fiction has appeared in Best Australian Short Stories 2013, Overland, Sleepers and Seizure.  She is also the recipient of an Asialink Writer’s Residency and the 2012 Writing Australia Unpublished Manuscript Award. Her novel Salt Creek – currently in development – was recently signed by Picador.

“I’m incredibly grateful to be a regional winner of the Commonwealth Short Story Prize; acknowledgement of this sort is both affirming and encouraging. It’s an honour to be included in this wonderful (and dauntingly accomplished) group of writers, and I’m delighted that this prize will allow my writing to reach a larger audience.”