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Category: Filmmakers

Queer Life Stories, Storymoja Hay Festival 2013

As part of its global partnership with Hay Festival, Commonwealth Writers attended the 2013 Storymoja Festival in Nairobi from 19 – 22 September for a four day celebration of stories and contemporary culture.
 

New Year’s Eve screening and Queer Life Stories panel discussion

Untold-Stories-5-680

In partnership with the Canadian High Commission, Nairobi Introduced by Jamie Bell, the political counsellor of the Canadian High Commission, the session began with a minute’s silence for the victims of the Westgate attack, followed by the screening of the Commonwealth Short ‘New Year’s Eve’ by the Kenyan filmmaker Wanjiru Kairu.
Wanjiru was joined by the moderater Anthony Oluoch, Regional Director of Kaleidoscope Trust, and Qat Kathambi, musician and founder member of Artists for Recognition and Acceptance (AFRA). After the screening Wanjiru talked about the making of the film and her aim to sensitise people to LGBTI issues and to make them less homophobic. The response to the film was extremely positive. Those present spoke of the pressures from family to conform which leads to many gays getting married to conform to society’s expectations. It was felt that, in the African context having a married man with two children shown as gay, is like opening a Pandora’s Box.
In Kenya issues are usually framed in heterosexual relationships and marriage and Anthony commended the film as depicting a true relationship, and demonstrating that there’s a lot more to gay men and women than their sexuality, they have love in their hearts. ‘We needed something like this. To talk, to go deeper into relationships.’
At the end of the event it was felt that an important conversation about LGBTI issues in Kenya had started, sparked by the showing of the film.
 

Chair: Anthony Oluoch

Anthony-OluochAnthony Oluoch holds a Bachelor of Laws degree from the Catholic University of Eastern Africa in Nairobi. He is currently the Regional Director for Africa at Kaleidoscope Trust based in Nairobi, a position he has held since March 2013. The main responsibility in this position is to co-ordinate the Trust’s projects in Africa. He previously worked as Executive Director at Gay Kenya Trust from December 2011 to February 2013 where he managed all of the organization’s day to day activities. He also worked as Legal and Human Rights Officer at The Gay and Lesbian Coalition of Kenya from August 2011 to August 2012 where he participated in the production and initial implementation of the movement’s decriminalization strategy dubbed the Multiple Tier Approach towards Equality and Non-discrimination for All.

Wanjiru Kairu

Wanjiru Kairu Wanjiru Kairu is a Kenyan filmmaker interested in creating captivating films that promote dialogue on social issues. An alumnus of the Berlinale Talent Campus in 2006 and the Maisha Film Lab 2007, Wanjiru’s short films have been official selections at festivals such as the Pan African Film Festival, Durban International Film Festival, ION Film Festival, and the New York African Film Festival among numerous others. Wanjiru currently writes and directs for different TV drama series and is also adapting Martin Njaga’s short novel, “The Brethren of Ng’ondu” into a feature.

Catherine Kathambi

Catherine (Qat) Kathambi is the Programme Coordinator, Sex Worker Leadership Initiative (SWLI), Fahamu Trust. She is a feminist, activist, blogger and artist. She has previously worked with the queer rights movement in Kenya and is a founder member of Artists For Recognition and Acceptance (AFRA-Kenya) which is a group of Lesbian, Bisexual and Transgender women artists who express themselves through art.

Queer Life Stories, Storymoja Hay Festival 2013

As part of its global partnership with Hay Festival, Commonwealth Writers attended the 2013 Storymoja Festival in Nairobi from 19 – 22 September for a four day celebration of stories and contemporary culture.
 

New Year’s Eve screening and Queer Life Stories panel discussion

Untold-Stories-5-680

In partnership with the Canadian High Commission, Nairobi Introduced by Jamie Bell, the political counsellor of the Canadian High Commission, the session began with a minute’s silence for the victims of the Westgate attack, followed by the screening of the Commonwealth Short ‘New Year’s Eve’ by the Kenyan filmmaker Wanjiru Kairu.
Wanjiru was joined by the moderater Anthony Oluoch, Regional Director of Kaleidoscope Trust, and Qat Kathambi, musician and founder member of Artists for Recognition and Acceptance (AFRA). After the screening Wanjiru talked about the making of the film and her aim to sensitise people to LGBTI issues and to make them less homophobic. The response to the film was extremely positive. Those present spoke of the pressures from family to conform which leads to many gays getting married to conform to society’s expectations. It was felt that, in the African context having a married man with two children shown as gay, is like opening a Pandora’s Box.
In Kenya issues are usually framed in heterosexual relationships and marriage and Anthony commended the film as depicting a true relationship, and demonstrating that there’s a lot more to gay men and women than their sexuality, they have love in their hearts. ‘We needed something like this. To talk, to go deeper into relationships.’
At the end of the event it was felt that an important conversation about LGBTI issues in Kenya had started, sparked by the showing of the film.
 

Chair: Anthony Oluoch

Anthony-OluochAnthony Oluoch holds a Bachelor of Laws degree from the Catholic University of Eastern Africa in Nairobi. He is currently the Regional Director for Africa at Kaleidoscope Trust based in Nairobi, a position he has held since March 2013. The main responsibility in this position is to co-ordinate the Trust’s projects in Africa. He previously worked as Executive Director at Gay Kenya Trust from December 2011 to February 2013 where he managed all of the organization’s day to day activities. He also worked as Legal and Human Rights Officer at The Gay and Lesbian Coalition of Kenya from August 2011 to August 2012 where he participated in the production and initial implementation of the movement’s decriminalization strategy dubbed the Multiple Tier Approach towards Equality and Non-discrimination for All.

Wanjiru Kairu

Wanjiru Kairu Wanjiru Kairu is a Kenyan filmmaker interested in creating captivating films that promote dialogue on social issues. An alumnus of the Berlinale Talent Campus in 2006 and the Maisha Film Lab 2007, Wanjiru’s short films have been official selections at festivals such as the Pan African Film Festival, Durban International Film Festival, ION Film Festival, and the New York African Film Festival among numerous others. Wanjiru currently writes and directs for different TV drama series and is also adapting Martin Njaga’s short novel, “The Brethren of Ng’ondu” into a feature.

Catherine Kathambi

Catherine (Qat) Kathambi is the Programme Coordinator, Sex Worker Leadership Initiative (SWLI), Fahamu Trust. She is a feminist, activist, blogger and artist. She has previously worked with the queer rights movement in Kenya and is a founder member of Artists For Recognition and Acceptance (AFRA-Kenya) which is a group of Lesbian, Bisexual and Transgender women artists who express themselves through art.

The Untold Story, Storymoja Hay Festival 2013

As part of its global partnership with Hay Festival, Commonwealth Writers attended the 2013 Storymoja Festival in Nairobi from 19 – 22 September for a four day celebration of stories and contemporary culture.
Untold-Stories-680Chaired by the journalist Tom Maliti, the panel was made up of the writer Keguro Macharia; Alice Nderitu, Commissioner in the National Cohesion and Integration Commission; Zarina Patel, Managing Editor of Awaaz Magazine and comic book artist Chief Nyamweya.
‘We need to sit and listen to the silence about what can’t be said.” Keguro Macharia
An engaged audience joined the discussion which covers topics which aren’t talked about enough, from zenophobia, history, views which can’t be expressed and the notion of what it is to be African. Amongst other subjects, they spoke about ‘unimaginable’ topics as slavery, how to communicate the stories under the statistics and how to illustrate history through words, and other issues relevant to the Untold Story in the African context.
The panel begun probing the untold story. They spoke about how to engage with the silence that can’t be broken, and how this is a problem for artists. Chief spoke about the importance of what’s implied, and how he uses the spaces between the panels of his comic strip. Zarina disagreed about the use of silence, and felt that women need to make a noise, Alice spoke about how women’s football is breaking down barriers between peoples.
 

Tom Maliti

Tom MalitiTom Maliti began his media career in 1991 as a contributor to The Frontier Post in Lahore, Pakistan, writing short stories and feature articles. Later, he was part of a team of journalists that started Pakistan’s first weekend newspaper, The News on Sunday. He has served as editor of EXECUTIVE, a business magazine in Kenya; Expression Today, a media and human rights journal; and the African Woman and Child Feature Service. He later spent 10 years as a Nairobi-based correspondent in the service of the Associated Press. Tom presently writes for the ICC Kenya Monitor website with support from the Open Society Justice Initiative. He has been the chairman of the board of Kwani Trust since 2003.
 

Chief Nyamweya

Chief-Nyamweya-sqChief Nyamweya is an artist, writer and entrepreneur best known for the crime-fiction comics “Roba” (syndicated daily in The Star newspaper) and “Emergency” both of which popularized the “Kenya Noir” style of art characterized by abundant use of black ink and high contrasts.
In 2013, he co-founded the Vfx, animation and music studio known as ‘The Tsunami Studio’ which won the won the Best Film and Content Developer Award for Aitec Africa’s BFMA2013.
In addition to being a self-taught artist, Chief Nyamweya is a trained lawyer and accountant.
 

Zarina Patel

Zarina PatelZarina Patel is an author and historian as well as a human rights activist and environmentalist with a long term interest in Kenyan South Asian affairs. She is the granddaughter of Alibhai Mulla Jeevanjee known as the father of South Asian politics in Kenya.
She is also known for her almost single handed effort in saving Jeevanjee Gardens in Nairobi from land grabbers in 1991. She was one of the founding members of the Asian African Heritage Trust and a member of the Ufungamano initiative for Constitutional Change in Kenya.
In April 2003 the NARC Government appointed her to serve on the task force for the Truth, Justice and Reconciliation Commission. She is the author of three books and a multitude of writings in main stream media on politics, culture and gender mainstreaming. She is the managing Editor of AwaaZ.
 

Alice Nderitu

Alice-Nderitu Alice Nderitu is both a peace builder and a human rights educator. Previously, she headed the human rights education department of the Kenya National Commission on Human Rights.
Alice has been a Commissioner of the National Cohesion and Integration Commission (NCIC). She was named the 2012 Woman Peace Maker of the year by the Joan B. Kroc Institute for Peace and Justice of the University of San Diego, California, USA. She is a member of the women waging peace network and Co-Chair Of Uwiano Platform for Peace, a conflict prevention agency. Alice is also a convener of the concerned citizens for peace, a group of Elders mediating between Kenya’s political leaders at the highest levels.
Alice has authored several policy papers and opinion pieces and co–authored, with Jacqueline O’Neill, Getting to the point of Inclusion: Seven myths standing in the way of women waging peace, 2013, an official Background Paper for the 2013 Oslo Forum, a gathering of the world’s top mediators, high-level decision makers, and key peace process actors.
 

Keguro Macharia

Keguro-Macharia Keguro Macharia was Assistant Professor of English and comparative literature, University of Maryland. His scholarship has appeared in Modern Fiction Studies, Callaloo, and Wasafiri. He is working on a manuscript titled Frottage: Black, Queer, Diaspora. He belongs to the Concerned Kenyan Writers collective (CKW) and blogs at gukira.wordpress.com.
 
 

Pacific film maker, Dionne Fonoti

Dionne Fonoti is an anthropologist, educator and film maker based in Apia. She earned a BA in Cultural Anthropology from the University of Hawaii at Manoa and an MA in Visual Anthropology from San Francisco State University. Dionne teaches anthropology and sociology at the National University of Samoa, and runs her own locally based production company, Ivilasi Films. She has written, produced and directed numerous documentary and ethnographic film projects in both the US and Samoa.
 

Dionne talks to Commonwealth Writers  in Auckland

Commonwealth Shorts: ‘PLACEnta’

Synopsis

PLACEnta is the sharing between a mother, her daughter and a midwife of the re-discovery of First Nations traditional childbirth teachings.

Writer/director Jules Koostachin

Jules was raised by her Cree speaking grandparents in Moosonee, as well as her mother in Ottawa. She is known for her social activism work in Indigenous rights and education, combining social issues with her artistic ventures. In the spring of 2008, Jules completed Screenwriting and Produce & Direct Your Own Short Film at George Brown College. Later, she successfully completed the Ryerson University Summer Film Intensive Program, where she was nominated for the Peter Gerretsen Film Awards for Best Achievement and Editing, and won the award for Screenwriting.

Jules is from Attawapiskat First Nation, currently living in Toronto where she completed graduate school at Ryerson University, awarded with the Award of Distinction for her thesis work, as well as the Masters level Ryerson Gold Medal for academic achievement in 2010. While completing her Masters, she completed her first feature documentary film, entitled Remembering Inninimowin. Soon after graduation, Jules was one of six women selected across Canada for the Women in the Directors Chair program at the Banff Centre.  Her film script Broken Angel, won Best Fresh Voice at the Female Eye Film Festival.

Jules is the Aboriginal and Indigenous Program Director for the Female Eye Film Festival in Canada, ​which places a spotlight on debut, emerging and established Canadian and International Indigenous film makers. Her company, VisJuelles Productions, was incorporated in September of 2010, where she has many projects in development.

Her short film, ‘PLACEnta’, premiered at Encounters Short Film Festival in Bristol, UK, as part of a Commonwealth Writers event.

 

Journalist and broadcaster Rosie Goldsmith, talks to Jules Koostachin

Watch ‘PLACEnta’ below.

Commonwealth Shorts: 'PLACEnta'

Synopsis
PLACEnta is the sharing between a mother, her daughter and a midwife of the re-discovery of First Nations traditional childbirth teachings.
Writer/director Jules Koostachin
Jules was raised by her Cree speaking grandparents in Moosonee, as well as her mother in Ottawa. She is known for her social activism work in Indigenous rights and education, combining social issues with her artistic ventures. In the spring of 2008, Jules completed Screenwriting and Produce & Direct Your Own Short Film at George Brown College. Later, she successfully completed the Ryerson University Summer Film Intensive Program, where she was nominated for the Peter Gerretsen Film Awards for Best Achievement and Editing, and won the award for Screenwriting.
Jules is from Attawapiskat First Nation, currently living in Toronto where she completed graduate school at Ryerson University, awarded with the Award of Distinction for her thesis work, as well as the Masters level Ryerson Gold Medal for academic achievement in 2010. While completing her Masters, she completed her first feature documentary film, entitled Remembering Inninimowin. Soon after graduation, Jules was one of six women selected across Canada for the Women in the Directors Chair program at the Banff Centre.  Her film script Broken Angel, won Best Fresh Voice at the Female Eye Film Festival.
Jules is the Aboriginal and Indigenous Program Director for the Female Eye Film Festival in Canada, ​which places a spotlight on debut, emerging and established Canadian and International Indigenous film makers. Her company, VisJuelles Productions, was incorporated in September of 2010, where she has many projects in development.
Her short film, ‘PLACEnta’, premiered at Encounters Short Film Festival in Bristol, UK, as part of a Commonwealth Writers event.
 

Journalist and broadcaster Rosie Goldsmith, talks to Jules Koostachin

Watch ‘PLACEnta’ below.

Commonwealth Shorts: 'PLACEnta'

Synopsis
PLACEnta is the sharing between a mother, her daughter and a midwife of the re-discovery of First Nations traditional childbirth teachings.
Writer/director Jules Koostachin
Jules was raised by her Cree speaking grandparents in Moosonee, as well as her mother in Ottawa. She is known for her social activism work in Indigenous rights and education, combining social issues with her artistic ventures. In the spring of 2008, Jules completed Screenwriting and Produce & Direct Your Own Short Film at George Brown College. Later, she successfully completed the Ryerson University Summer Film Intensive Program, where she was nominated for the Peter Gerretsen Film Awards for Best Achievement and Editing, and won the award for Screenwriting.
Jules is from Attawapiskat First Nation, currently living in Toronto where she completed graduate school at Ryerson University, awarded with the Award of Distinction for her thesis work, as well as the Masters level Ryerson Gold Medal for academic achievement in 2010. While completing her Masters, she completed her first feature documentary film, entitled Remembering Inninimowin. Soon after graduation, Jules was one of six women selected across Canada for the Women in the Directors Chair program at the Banff Centre.  Her film script Broken Angel, won Best Fresh Voice at the Female Eye Film Festival.
Jules is the Aboriginal and Indigenous Program Director for the Female Eye Film Festival in Canada, ​which places a spotlight on debut, emerging and established Canadian and International Indigenous film makers. Her company, VisJuelles Productions, was incorporated in September of 2010, where she has many projects in development.
Her short film, ‘PLACEnta’, premiered at Encounters Short Film Festival in Bristol, UK, as part of a Commonwealth Writers event.
 

Journalist and broadcaster Rosie Goldsmith, talks to Jules Koostachin

Watch ‘PLACEnta’ below.

Commonwealth Shorts: 'PLACEnta'

Synopsis
PLACEnta is the sharing between a mother, her daughter and a midwife of the re-discovery of First Nations traditional childbirth teachings.
Writer/director Jules Koostachin
Jules was raised by her Cree speaking grandparents in Moosonee, as well as her mother in Ottawa. She is known for her social activism work in Indigenous rights and education, combining social issues with her artistic ventures. In the spring of 2008, Jules completed Screenwriting and Produce & Direct Your Own Short Film at George Brown College. Later, she successfully completed the Ryerson University Summer Film Intensive Program, where she was nominated for the Peter Gerretsen Film Awards for Best Achievement and Editing, and won the award for Screenwriting.
Jules is from Attawapiskat First Nation, currently living in Toronto where she completed graduate school at Ryerson University, awarded with the Award of Distinction for her thesis work, as well as the Masters level Ryerson Gold Medal for academic achievement in 2010. While completing her Masters, she completed her first feature documentary film, entitled Remembering Inninimowin. Soon after graduation, Jules was one of six women selected across Canada for the Women in the Directors Chair program at the Banff Centre.  Her film script Broken Angel, won Best Fresh Voice at the Female Eye Film Festival.
Jules is the Aboriginal and Indigenous Program Director for the Female Eye Film Festival in Canada, ​which places a spotlight on debut, emerging and established Canadian and International Indigenous film makers. Her company, VisJuelles Productions, was incorporated in September of 2010, where she has many projects in development.
Her short film, ‘PLACEnta’, premiered at Encounters Short Film Festival in Bristol, UK, as part of a Commonwealth Writers event.
 

Journalist and broadcaster Rosie Goldsmith, talks to Jules Koostachin

Watch ‘PLACEnta’ below.

Commonwealth Shorts: ‘Passage’

Synopsis

A twenty-year-old Haitian woman, Sandrine and her thirteen year old brother Etienne are being transported from Haiti to the Bahamas in the hold of a dilapidated wooden vessel filled with several other immigrants in search of a better life. When her brother takes ill, she must use her smarts and strength to avoid him being thrown off the boat and save his life.

Writer/director Kareem Mortimer

Kareem is a Bahamian filmmaker from the island of Nassau.

Over the past five years  he has won over 25 awards for his previous three film projects. Kareem has made short music documentaries for the syndicated show Hip Hop Nation: Notes from the Underground; and has written and directed the short  film Float that has won 5 festival awards and distribution in North America, Germany and Austria. Float received a US Broadcast premiere on LOGO. Moving Pictures Magazine crowned Float as one of five short films to look out for and Kareem a writer/director to watch.

Subsequently, he has directed the documentary I Am Not A Dummy and a debut feature film Children Of God. Children of God has won 18 awards, distributed in 24 territories, a theatrical release in the US and currently airing on SHOWTIME. Children of God was also named by BET as one of the top ten movies of the year and one of the top features to watch by The Independent Magazine.

 His short film, ‘Passage’, premiered at Encounters Short Film Festival in Bristol, UK, as part of a Commonwealth Writers event.

 

Journalist and broadcaster Rosie Goldsmith, talks to Kareem Mortimer

Watch ‘Passage’ below.

Commonwealth Shorts: 'Passage'

Synopsis
A twenty-year-old Haitian woman, Sandrine and her thirteen year old brother Etienne are being transported from Haiti to the Bahamas in the hold of a dilapidated wooden vessel filled with several other immigrants in search of a better life. When her brother takes ill, she must use her smarts and strength to avoid him being thrown off the boat and save his life.

Writer/director Kareem Mortimer

Kareem is a Bahamian filmmaker from the island of Nassau.

Over the past five years  he has won over 25 awards for his previous three film projects. Kareem has made short music documentaries for the syndicated show Hip Hop Nation: Notes from the Underground; and has written and directed the short  film Float that has won 5 festival awards and distribution in North America, Germany and Austria. Float received a US Broadcast premiere on LOGO. Moving Pictures Magazine crowned Float as one of five short films to look out for and Kareem a writer/director to watch.

Subsequently, he has directed the documentary I Am Not A Dummy and a debut feature film Children Of God. Children of God has won 18 awards, distributed in 24 territories, a theatrical release in the US and currently airing on SHOWTIME. Children of God was also named by BET as one of the top ten movies of the year and one of the top features to watch by The Independent Magazine.

 His short film, ‘Passage’, premiered at Encounters Short Film Festival in Bristol, UK, as part of a Commonwealth Writers event.
 

Journalist and broadcaster Rosie Goldsmith, talks to Kareem Mortimer

Watch ‘Passage’ below.