Commonwealth Short Story Prize
2023The 2023 prize winner
‘When I began my writing journey, it was not a conscious decision, it was just something I enjoyed doing. Creating and imagining worlds, sharing occurrences and experiences that brought no end of joy in seeing a reader engage and find pleasure in what I have produced. Having the ability to provoke thought, interest or move a reader from one mental and emotional state to the next, is a skill within itself and one I have been blessedly bestowed with and do not take for granted. The culmination of that ability is where I am today, winning a prestigious award, not only for the Caribbean but for the entire Commonwealth. That is no mean feat. I am humbled since I stand on the shoulders of those who have gone before, especially those scribes, griots and storytellers of our story, fulfilling a purpose I now live, walk and breathe. I am extremely proud I have represented my many friends, family and, importantly, my country Jamaica, in the way that I have.’
”Ocoee’ forces a reckoning with the challenge that confronts all writers in the postcolonial world: how to write about a world that has been destroyed without any traces. Kwame McPherson takes on the extraordinarily difficult challenge of writing about a past that has left no evidence of its existence. ‘Ocoee’’s accomplishment is how it achieves this thorny task with simplicity, humility, and real heart. It is a story that resonates deeply and leaves us with a glimpse of all the ghosts that continue to haunt the present, and, in the process, performs one of the most essential tasks of writing: to bear witness to our condition, and to remind us, again, what it means to be human.’
Watch the 2023 prize ceremony
Regional winners
We are delighted to announce this year’s Commonwealth Short Story Prize regional winners!
- Africa 'The Undertaker's Apprentice' Hana Gammon (South Africa)
- Asia 'Oceans Away From My Homeland' Agnes Chew (Singapore)
- Canada & Europe 'Lech, Prince, and the Nice Things' Rue Baldry (United Kingdom)
- Caribbean 'Ocoee' Kwame McPherson (Jamaica)
- Pacific 'Kilinochchi' Himali McInnes (New Zealand)
This year’s regional winners have been selected from 6,642 entries.
Bilal Tanweer, Pakistani writer, translator and Chair of the Judges, said:
‘All of the winning stories demonstrated impressive ambition and deep love for storytelling, combined with an intimate understanding of place. The judges were unanimous in their admiration of the ambition of these stories to tackle difficult metaphysical and historical questions while displaying a real mastery of craft to deliver gripping stories for the readers.’
Bilal Tanweer is joined on the international judging panel by a judge representing each of the five Commonwealth regions: Rémy Ngamije (Africa), Ameena Hussein (Asia), Katrina Best (Canada and Europe), Mac Donald Dixon (Caribbean) and Dr. Selina Tusitala Marsh (Pacific).
The five regional winning stories will be published online by the literary magazine Granta on 24 May. They will also be published in a special print edition by Paper + Ink, available online and in bookshops from 27 June.
Press contact: Ruth Killick publicity@ruthkillick.co.uk
Commonwealth Writers contact: creatives@commonwealthfoundation.com
‘The Undertaker’s Apprentice’ follows the story of a group of children and their interactions with their small town’s sombre but kind mortician. As they grow up, they are forced to question issues of growth, decay, and exchange between different states of being.
‘A carefully observed, patiently narrated, and exquisitely written story about youth and the ways in which we come to adulthood through experiencing loss and death. There is, at its heart, a complex examination of the exchanges made between the living and the dead, the young and the old, and the experienced and the naive. Gammon’s command of language is gentle but powerful and provides each reader with their own way of coming to terms with the fruits of its reading. Through its strangely refreshing narrative and poignant ruminations, it shows the diversity of stories from the African continent; its selection as Africa Regional Winner is a testament to the richness of continental storytelling and the ability for stories to be both intensely personal and universal.’
Rémy Ngamije, Judge, Africa region
‘Oceans Away from My Homeland’ is about a woman’s struggle to confront the perceived changes in her life—both of and beyond her own making.
‘Once in a while there comes a story that you just can’t let go of. From the first time I read ‘Oceans away from my Homeland’, the story gripped me. It is unusual in its setting in that it is out of Asia and yet very Asian. It is also beautifully told and possesses a vulnerability that deals with the balance of life and death. In fact, this little story holds a lot of issues at its heart. In the end it is a very human story that tackles migration, language, displacement, fear, hope and, most importantly of all, love. This was a gem of a story for me.’
Ameena Hussein, Judge, Asian Region
A young, Black plasterer, drawn to committing petty acts of revenge against his employer’s neglected possessions, risks becoming more diminished than those status symbols.
‘A genuinely surprising and unexpectedly moving story that explores such weighty–and timely–topics as racism, classism and inequality in modern-day Britain, yet is never heavy-handed thanks to the writer’s comedic sensibility and talent for observing the minutiae of everyday life. The writer’s considerable skill is evident in every element of this story, including deft observations, evocative descriptions, fully realised, complex and sympathetic characters, believable dialogue, and an expertly crafted narrative that is infused throughout with wry humour. … A very well deserved win, and I look forward to reading more work by this talented author in the future.’
Katrina Best, Judge, Canada and Europe Region
The story is an interweaving of African American reality and history, and Caribbean folklore since there are many stories in the African Diaspora experience to share.
‘Kwame McPherson’s story, ‘Ocoee’, is a memorial to the enduring nature of the human spirit. It is a simple tale retold in a surreal atmosphere of creative uneasiness. Images awake in the subconscious and, without pointing fingers, remind us of man’s inhumanity to man.’
Mac Donald Dixon, Judge, Caribbean Region
Set during a particularly bloody time in Sri Lanka’s civil war, the protagonist, an up-country Tamil tea-picker, comes from a long line of indentured labourers.
‘Nothing is ever simple, nothing is ever straightforward–except a mother’s unwavering desire to find her child. Crossing continents, moving through cultural collisions, and chaotic inner and outer journeys of human trauma and resilience, ‘Kilinochi’ moves between New Zealand and Sri Lanka, Tamil and Sinhala, the living who repel, and the dead who guide. An unforgettable story that explores family loyalty, gender, class and social inequity, war, life in diaspora, and our fundamental need to belong. We discover that what can never be stolen, destroyed or lost, is love.’
Dr. Selina Tusitala Marsh, Judge, Pacific Region
The Shortlist
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'Price Tags' , Buke AbdubaKenya
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'Arboretum' , H. B. AsariNigeria
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'The Undertaker's Apprentice' , Hana GammonSouth Africa
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'Oceans Away From My Homeland' , Agnes ChewSingapore
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'Lech, Prince, and the Nice Things' , Rue BaldryUnited Kingdom
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'Ocoee' , Kwame McPhersonJamaica
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'Kilinochchi' , Himali McInnesNew Zealand
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'Mama Blue' , Michael BoydSouth Africa
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'Deficiency Notice ' , Arman ChowdhuryBangladesh
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'Lost Boys' , Trevor CorkumCanada
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'Crossing Lake Abaya' , Gail DaveyUnited Kingdom
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'Sauce' , Jean FlynnAustralia
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'So Long, Gregor' , Mehdi M. KashaniCanada
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'When this island disappears' , Dennis KikiraPapua New Guinea
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'Η Ψαρού (The Fisherwoman)' , Eva KoursoumbaCyprus
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'Relative Distance' , Shih-Li KowMalaysia
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'Khicheenk!' , Usama LaliPakistan
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'Where the Winds Blow' , Cosmata A. LindieGuyana
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'Road Trip and Fall' , Demoy LindoJamaica
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'Teef From Teef' , Deborah MatthewsTrinidad and Tobago
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'Punching Lines ' , Josiah MboteKenya
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'Because You Drowned' , Jay McKenzieUnited Kingdom
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'Falling from a knife tree' , Matshediso RadebeSouth Africa
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'Catching Up' , Janeen SamuelAustralia
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'Sugartown' , Emma SloleyAustralia
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'The Ovelias at Benzie Hill Dump' , Alexia TolasBahamas
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'A Groom Like Shahrukh' , Vidhan VermaIndia
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'Principles of Accounting' , Rukshani Weerasooriya WijemanneSri Lanka
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Price TagsBuke AbdubaKenya
‘Price Tags’ is about a young girl who leaves home to buy a good life, unaware of just how much it would cost her.
‘He wears the same old dirt colored t-shirt, and a kikoi – this one new, that hangs so callously off his waist I fear it will fall. I study him a little too long and when the silence grows too loud for our comfort, he clears his throat and I blurt out that I’ve missed him before I can stop myself.’
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ArboretumH. B. AsariNigeria
‘Arboretum’ is a short story that interrogates grief both collective and personal, and asks, ‘How do we pick ourselves up and keep going in the face of overwhelming tragedy.’
‘No one knows why people started to turn into trees, but everyone knows the first. It was a baby in Japan, a girl, and no one knows if she turned in her mother’s womb or a moment after her introduction to this harsh world. Her name was meant to be Yumi Murakami and she was born a sakura seedling.’
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The Undertaker's ApprenticeHana GammonSouth Africa
‘The Undertaker’s Apprentice’ follows the story of a group of children and their interactions with their small town’s sombre but kind mortician. As they grow up, they are forced to question issues of growth, decay, and exchange between different states of being.
‘I suppose that, when one’s living is made up of dressing up the dead and putting them into the ground, one must be prepared to answer a great many morbid questions, especially from children. Who decides which clothes a corpse should wear when it is buried? How are the mouth and eyes held shut?’
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Oceans Away From My HomelandAgnes ChewSingapore
‘Oceans Away from My Homeland’ is about a woman’s struggle to confront the perceived changes in her life—both of and beyond her own making.
‘My husband guides my finger over the curve of my breast. My heartbeat quickens. Then I feel what he’s felt. Desire drains from my body. What was once familiar becomes foreign. I look down at my bare chest, unable to see the orb nestled in soft tissue that shifts beneath my fingertips.’
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Lech, Prince, and the Nice ThingsRue BaldryUnited Kingdom
A young, Black plasterer, drawn to committing petty acts of revenge against his employer’s neglected possessions, risks becoming more diminished than those status symbols.
‘That night, Lisa wants to go to a bar, but neither of us have been paid yet, so instead, we sit on my bed, eating pasta out of the saucepan and watching Pottery Throwdown until I distract her by stroking her tights. She smells of Surf fabric softener and the Colonel’s secret recipe.’
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OcoeeKwame McPhersonJamaica
The story is an interweaving of African American reality and history, and Caribbean folklore since there are many stories in the African Diaspora experience to share.
‘Suddenly, a ping. I glanced at the notification; a blob immediately appeared on my GPS that was not there before. Its name came up as Ocoee. I squinted, there was a town up ahead; I could see its lights on the horizon and building outlines. Its name made no impression on me and it sounded like one those haunted places always found in the back of some beyond.’
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KilinochchiHimali McInnesNew Zealand
Set during a particularly bloody time in Sri Lanka’s civil war, the protagonist, an up-country Tamil tea-picker, comes from a long line of indentured labourers.
‘When Nisha performs the burial ceremony for her 26-year-old son, she has to imagine his body lowering into the earth. Cremation is impossible with an imaginary body, even though it’s the best way to release a soul. This ceremony, instead, is a commingling of Christian traditions practised by her husband Sam, and the ancient Hindu rites of Nisha’s ancestors.’
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Mama BlueMichael BoydSouth Africa
The story of a man remembering his life through the memories of his neighbour, Mama Blue. With touches of the magical, ‘Mama Blue’ is about hope in our ever-changing world, and how we can use the past to look forward.
‘She opened her hand delicately, like a flower. There was nothing inside.
‘Do you know how to hide an idea?’ she asked.
I looked into the empty hand.
She didn’t wait for me to answer. ‘By making it so small that no-one notices it.’’
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Deficiency NoticeArman ChowdhuryBangladesh
‘Deficiency Notice’ tracks the daily life of a speech-impaired, eleven-year-old boy from a lower-middle class Christian family, living in Dhaka, Bangladesh.
‘When evening approaches, the mosque blares the call to prayer. Michael finishes his homework. His parents finish their naps. They are in a bad mood because the sunset awakes strangeness in people. Or perhaps there is something inherently strange about his parents.’
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Lost BoysTrevor CorkumCanada
‘Lost Boys’ tells the story of Gideon, a 17-year old boy sent to a re-education camp for gay teenagers by his religious parents.
‘Like her own pious mother in a world long ago, Mama is a God-fearing woman. If I were a more compassionate son, more steady in care and devotion, I would venture that what she longed for, in her deepest heart of hearts, was for my pure and eternal salvation.’
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Crossing Lake AbayaGail DaveyUnited Kingdom
‘Crossing Lake Abaya’ is based on twenty years’ experience of working with people affected by a debilitating leg swelling condition called podoconiosis. Much still remains to be done to raise awareness in affected populations that the condition is preventable and treatable.
‘I can tell that father is irritated that mother has not come for us, and probably also concerned that lunch may not be ready. He strides impatiently, pushing me forward, the blade hanging down behind him to just above his calves. We cross our neighbours’ fields and carry the ploughshare through the aloe bushes that form our fence.’
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SauceJean FlynnAustralia
A story about a woman who makes a series of mistakes – some small, some not so small.
‘I sent a text to my brother-in-law.
It wasn’t meant for him. There were no words – just a picture. A photo. Clear as anything. I’d just got a new phone and the camera was deadset incredible. Somehow the lighting was amazing, too – that was just a fluke.’
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So Long, GregorMehdi M. KashaniCanada
A divorced father seizes every opportunity to bond with his young son, even if it involves trapping a cockroach and calling it Gregor Samsa, but this Kafkaesque amusement doesn’t appeal to everyone.
‘Kids ask all sorts of questions, and Ryan is no exception. I don’t have the answer to every one of his inquiries, but when I do, it fills me with dignity and self-assurance, especially in light of the recent developments during which I’ve been proven inadequate in several areas.’
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When this island disappearsDennis KikiraPapua New Guinea
‘When this island disappears’ is about a simple island fisherman who is sent on an unknown journey by his authoritarian chief to bring hope to save the islanders from the brutal impacts of global warming and sea level rise.
‘Waves – the anguish of the sea gods in pitch black darkness and midnight – squirt squalls of salt spray, its bitterness biting on the eyes, lips and breathing. Who can see through the night as the sea unleashes its anger in deep swells? The only sound, thunderous ripples conforming to the direction of wind.’
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Η Ψαρού (The Fisherwoman)Eva KoursoumbaCyprus
A story of a woman who lived her entire life as a misfit in a small town on a Greek island. She had a baby out of wedlock and faced shame, ridicule and pain. She turned to fishing to earn a living but stood out again as the only fisherwoman at the pier, despised by almost everyone in her community. She was only saved by the kindness of strangers.
It was late afternoon, and from the balcony of the flat she saw down at the waterfront three men, standing in a row, fishing with their rods. But her attention was turned to the only woman there, fishing a little further away, close to an opening formed by the rocks.
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Relative DistanceShih-Li KowMalaysia
A man visits his ageing uncle and pretends he has returned from abroad. In the few days that they spend together, he navigates their shared history and old conflicts.
‘I had forgotten how steep the staircases were in these pre-war buildings. The Airbnb I had rented for our holiday in Bentong was on the upper floor of a converted shophouse and Uncle climbed unsteadily ahead of me. His feet looked old and clumsy in his buckled slippers, and I braced to catch him in case he tripped.’
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Khicheenk!Usama LaliPakistan
In ‘Khicheenk!’ a son recounts the unusual, unfortunate and tragic circumstances that first brought his parents together, and how generational trauma has continued to shape and haunt him and his Punjabi feudal family over the years growing up.
‘My mother married my father because her husband died and my father married my mother because his wife passed away. Shortly after their spouses’ deaths the elders convened in a baradari somewhere in our Punjabi village and decided they’d both be less sad together.’
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Where the Winds BlowCosmata A. LindieGuyana
A coming-of-age story about Iscar, firstborn son of the royal house of fearsome Caribbean hurricanes, learning to navigate the storms of life as a gentle breeze.
‘But they had nothing to worry about; the Hurricane King was simply awaiting the birth of his first child. If all went as he anticipated, this new hurricane would grow in strength and fury to wreak havoc in the years to come, cementing his or her place as next in line to rule the powerful winds.’
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Road Trip and FallDemoy LindoJamaica
Zoology major Jermaine seeks to seize the opportunity created by a ‘friendly’ college road trip to recapture the heart of his beloved; to make her fall in love with him again.
‘‘Hey Jermaine, we did plan a road trip for this Saturday. Let me know if you want to come’ I stare at the text message for a while.
I don’t see why Charlie had to send me that text directly when we have big friend’s group on WhatsApp and I never see a single message ‘bout any trip, drop nor fell.’
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Teef From TeefDeborah MatthewsTrinidad and Tobago
A quintessentially Caribbean story about an impromptu mango-seeking adventure that takes place on a hot August day, which leads us on a young boy’s journey to understanding his own resilience.
‘I couldn’t quarrel with she as she big and I small, so I put on my school sneakers which was the only pair of shoes that I did go there with, and walk outside in the yard into a wall of heat. The sun was hot, and breeze wasn’t blowing. Typical of August morning in Trinidad that does burn away all the fine hairs in your face.’
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Punching LinesJosiah MboteKenya
An introspective exploration of the narrator’s state as a failed stand-up comedian. He dares to touch on some perennial as well as contemporary themes such as failure, love, depression, and the philosophy of life through a delicate interplay of comical and tragic lens.
‘I don’t smoke cigars. Everyone thinks I do but I don’t. I just let them dangle between my lips and fancy the thought of lighting them up. I prefer using a lighter, not a matchstick. A lighter is more fanciful. In my imagination, that is. My imagination doesn’t stop there.’
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Because You DrownedJay McKenzieUnited Kingdom
On the idyllic paradise island of Nusa Penida, taxi driver Gede struggles to come to terms with the death of a tourist.
‘Your rag doll remains flop as they spare all ceremony to get your body off the ledge with its puncturing teeth that hold you just above the now flat water. Your head hangs limply from your neck, bouncing with every jolt, every heave, every yank over the unforgiving cliff face.’
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Falling from a knife treeMatshediso RadebeSouth Africa
‘Falling From A Knife Tree’ is essentially scattered vignettes of the coming-of-age story of a piqued girl with divorced parents.
‘He had his first knife fight at fifteen, came out of it unscathed and spent thirteen months in Drakenstein Correctional Centre. On his twenty-first, he got into a bar brawl and consequently served seven months for aggravated assault, which led him to drop out. Aunt says he never really cared about school.’
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Catching UpJaneen SamuelAustralia
When a doctor acquires a new patient she is led to recall summer holidays of her childhood and a friendship which came to a sudden end.
‘Genevieve. When did I last address someone by that name? Twenty-five years ago, surely. Those wide-apart blue eyes in the heart-shaped face; the wide mouth with its delicately curved upper lip; surely I recognise them. But a lot can change between twelve and thirty-seven, in a face and in a memory of a face.’
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SugartownEmma SloleyAustralia
The story of Glory, a terminally ill young woman who takes a holiday with friends and ends up baking a cake for a stranger, an awkward act of kindness that anchors her back to the world.
‘No one called it the last vacation because that would have been morbid, but that’s what it was. They all knew it: Glory, and her brother Ben, and Ben’s friends Suzie and Taylor, who had elected to spend ten days all together in this strange desert city, renting two adjoining condos in a 1970s building with a kidney-shaped pool and a hot tub.’
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The Ovelias at Benzie Hill DumpAlexia TolasBahamas
A 15-year-old boy is desperate to earn his grandfather’s approval and his brother’s respect, but when he joins his family on a trip to the local dump and learns the true secret to their wealth, he realizes that sometimes love requires great sacrifice.
‘Today the dump smells like burning flesh. As Babou turns the corner into the Benzie Hill peninsula, I can taste it on my tongue: a film of charred hair and fat and bone. Reminds me of the day Alex arrived in Long Island from Corfu and Papou roasted a whole lamb in the front yard. It didn’t smell like this yesterday.’
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A Groom Like ShahrukhVidhan VermaIndia
When it comes to their marriages, the two childhood friends secretly vie, and compete for a groom like Shahrukh Khan, the Bollywood heartthrob. ‘A Groom like Shahrukh’ captures their journey, prayers and trepidations, as they go through arranged match-making.
‘Paro and Manju, bosom friends, had a common love interest – Shahrukh Khan. The epiphany of their love happened as they watched Shahrukh’s Dilwale Dilhuniya Le Jayenge at Lakshmi Talkies in the district headquarter of Datia. It was mutually professed on the tractor-trolley ride back to their little township of Bhander.’
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Principles of AccountingRukshani Weerasooriya WijemanneSri Lanka
The story of a young man, caught in a cycle of failure. He dreams of being ‘successful,’ and longs to find significance. But is he looking in the right places?
‘Pulling out a banged up Nokia from his laptop bag, Mekala punches in the number he always wants to punch in at this time of the day. He treads the uneven pavement towards the bus stand, with the skill of a tired circus elephant.
She picks up at last.’
This year’s judging panel
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Photo: Faizan Ahmad
Bilal Tanweer
ChairBilal Tanweer’s novel The Scatter Here Is Too Great (HarperCollins) won the Shakti Bhatt First Book Prize and was shortlisted for the DSC Prize for South Asian Literature and the Chautauqua Prize (US). The novel has been translated into French and German. His translation of Muhammad Khalid Akhtar’s novel and stories was published as Love in Chakiwara and Other and received the PEN Translation Fund Grant. Bilal has also translated two novels by crime fiction writer, Ibn-e Safi, The House of Fear. His writings have appeared in local and international magazines including Granta, The New York Times, Dawn, and The Caravan. He lives and teaches in Lahore.
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Photo: Abantu Book Festival
Rémy Ngamije
Judge, African RegionRémy Ngamije is a Rwandan-born Namibian writer and photographer. He is the founder, chairperson, and artministrator of Doek, an independent arts organisation in Namibia supporting the literary arts. He is also the editor-in-chief of Doek! Literary Magazine, the founder of the country’s only literary awards, the Bank Windhoek Doek Literary Awards, as well as the Doek Literary Festival, Namibia’s first international literary festival. Rémy is also the founding editor of the Doek Anthology, forthcoming in 2022. His debut novel The Eternal Audience Of One was first published in South Africa by Blackbird Books and is available worldwide from Scout Press (S&S); it was honoured with a Special Mention at the inaugural Grand Prix Panafricain De Litterature in 2022. He won the Africa Regional Prize of the 2021 Commonwealth Short Story Prize and was shortlisted for the AKO Caine Prize for African Writing in 2021 and 2020. He was longlisted and shortlisted for the 2020 and 2021 Afritondo Short Story Prizes respectively. In 2019 he was shortlisted for Best Original Fiction by Stack Magazines.
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Ameena Hussein
Judge, Asian RegionAmeena Hussein is a Sri Lankan author and co-founder of the Perera-Hussein Publishing House, the frontrunner for cutting-edge literature from emerging and established regional authors. Her non-fiction book on the fourteenth century Moroccan traveller Ibn Battuta, Chasing Tall Tales and Mystics: Ibn Battuta in Sri Lanka published end 2020 won the State Literary Prize for Humanities and was shortlisted for the Gratiaen Prize. Her novel The Moon in the Water was longlisted for the Man Asian Literary Award and the Dublin IMPAC. Her debut short story collection Fifteen was shortlisted for the Gratiaen Prize in 1999 and her second collection of short stories Zillij won the State Literary Prize in 2005. A Fellow of WrICE, writer digital residency and cultural exchange 2020 as well as being a fellow of the prestigious International Writer’s Program at the Iowa University (2005), she has been invited to teach at the University of Iowa creative writing Summer programs in 2016 and 2018.
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Photo: Douglas Fry for Brackendale Consulting
Katrina Best
Judge, Canada and Europe RegionKatrina Best is a British-Canadian author whose first book of short stories (Bird Eat Bird, Insomniac Press) won the 2011 regional Commonwealth Writers’ Prize for Best First Book (Canada and the Caribbean region). After two decades in Canada (based first in Vancouver, then Montreal) working primarily in the film and television industry, Katrina moved back to the UK with her family a few years ago, settling in the East Sussex countryside near Brighton. She continues to freelance as a writer, editor and story/ script consultant and is currently at work on her first novel.
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Mac Donald Dixon
Judge, Caribbean RegionMac Donald Dixon was born in Saint Lucia, West Indies. At sixteen, browsing through shelves at the St. Mary’s college library, he stumbled on ‘Twenty-Five Poems’ by Derek Walcott and knew from that moment he would write. Despite having written several short stories and plays and novels, he is best known for his poetry. He is also an accomplished dramatist, painter, and photographer.In 1994, his country honored him with the Saint Lucia medal of merit for his contribution to literature and photography, and in 2005 he was awarded Saint Lucia’s Cultural Development Foundation Lifetime Achievement Award. Dixon works as a full-time writer from his home in Castries.
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Dr. Selina Tusitala Marsh
Judge, Pacific RegionSelina Tusitala Marsh (ONZM, FRSNZ) is the former Commonwealth Poet, New Zealand Poet Laureate and acclaimed performer and author. In 2019 she was made an Officer of the New Zealand Order of Merit for her services to poetry, literature and the Pacific community. In 2020 Selina was inducted as a Fellow of the Royal Society of New Zealand. Selina lectures in the English Department at the University of Auckland where she teaches Pacific Literature and Creative Writing. Selina has performed poetry for primary schoolers and presidents, queers and Queens. She has published three critically acclaimed collections of poetry, Fast Talking PI (2009), Dark Sparring (2013), Tightrope (2017). Her graphic memoir, Mophead (2019), won the Margaret Mahy Supreme Book in the 2020 NZ Book Awards for Children and Young Adults and won the PANZ Best Book Design for 2020. Its sequel, Mophead TU: The Queen’s Poem was shortlisted for the NZ Book Awards (2021). She has just completed Mophead: KNOT Book 3 and is working on a genre-bending graphic poetry anthology on first wave Pacific women poets from 16 Pacific Island nations.
Frequently asked questions
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The prize is open to all Commonwealth citizens aged 18 and over – please see the full list of Commonwealth countries here.
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The regional winners receive £2,500 and the overall winner receives a total of £5,000. The winning stories are published online by Granta and in a special print collection by Paper + Ink. The shortlisted stories are published in adda, the online literary magazine of the Commonwealth Foundation.
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The story must be between 2,000 and 5,000 words.
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The prize is only open to short fiction, but it can be in any fiction genre–science fiction, speculative fiction, historical fiction, crime, romance, literary fiction–and you may write about any subject you wish.
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Submissions are accepted in Bengali, Chinese, Creole, English, French, Greek, Malay, Maltese, Portuguese, Samoan, Swahili, Tamil, and Turkish. Stories that have been translated into English from any language are also accepted and the translator of any winning story receives additional prize money.
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Your submission must be unpublished in any print or online publication, with the exception of personal websites.
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Entries are initially assessed by a team of readers and a longlist of 200 entries is put before the international judging panel, comprising a chair and five judges, one from each of the Commonwealth regions – Africa, Asia, Canada and Europe, the Caribbean, and the Pacific. All judges read entries from all regions.
Entries in other languages are assessed by relevant language readers and the best submissions are selected for translation into English to be considered for inclusion on the longlist.
The judging panel select a shortlist of around twenty stories, from which five regional winners are chosen, one of which is chosen as the overall winner.
Resources & News
- 2024 Commonwealth Short Story Prize Entry Rules
- Perfecting your story: tips for crafting your prize submission
- Sharma Taylor in Conversation with Alexia Tolas
- Ntsika Kota in Conversation with Damon Galgut
- The Art and Craft of the Short Story
- 'The Fishing Line' by Kevin Jared Hosein
- Kritika Pandey in conversation with Nii Ayikwei Parkes
- The Origins of the Commonwealth Short Story Prize
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