Revisit the 2023 prize

Commonwealth Short Story Prize

2023

The 2023 prize winner

Kwame McPherson
Ocoee

Jamaican writer Kwame McPherson is the overall winner of the 2023 Commonwealth Short Story Prize.

The Commonwealth Foundation announced Kwame McPherson’s win in an online award ceremony on 27 June, hosted by journalist Dionne Jackson Miller and featuring 2023 Chair of the judges Pakistani writer Bilal Tanweer, this year’s international judging panel, the five regional winners, and 2022 #CWprize winner Ntsika Kota.

McPherson, who this year entered the prize for the seventh time, took the £5,000 prize after 6,641 writers submitted their stories.

The winning story Ocoee interweaves Caribbean folklore and stories from African American history. It centres on an exhausted driver who is pulled over by the police on a lonely road outside Ocoee. As he hears about the terrible history of the town, he also rediscovers a connection with his own past.

‘When I began my writing journey, it was not a conscious decision, it was just something I enjoyed doing. Creating and imagining worlds, sharing occurrences and experiences that brought no end of joy in seeing a reader engage and find pleasure in what I have produced. Having the ability to provoke thought, interest or move a reader from one mental and emotional state to the next, is a skill within itself and one I have been blessedly bestowed with and do not take for granted. The culmination of that ability is where I am today, winning a prestigious award, not only for the Caribbean but for the entire Commonwealth. That is no mean feat. I am humbled since I stand on the shoulders of those who have gone before, especially those scribes, griots and storytellers of our story, fulfilling a purpose I now live, walk and breathe. I am extremely proud I have represented my many friends, family and, importantly, my country Jamaica, in the way that I have.’

Kwame McPherson

”Ocoee’ forces a reckoning with the challenge that confronts all writers in the postcolonial world: how to write about a world that has been destroyed without any traces. Kwame McPherson takes on the extraordinarily difficult challenge of writing about a past that has left no evidence of its existence. ‘Ocoee’’s accomplishment is how it achieves this thorny task with simplicity, humility, and real heart. It is a story that resonates deeply and leaves us with a glimpse of all the ghosts that continue to haunt the present, and, in the process, performs one of the most essential tasks of writing: to bear witness to our condition, and to remind us, again, what it means to be human.’

Bilal Tanweer, Chair, 2023 Judging Panel

Watch the 2023 prize ceremony

Regional winners

We are delighted to announce this year’s Commonwealth Short Story Prize regional winners!

This year’s regional winners have been selected from 6,642 entries.

Bilal Tanweer, Pakistani writer, translator and Chair of the Judges, said:

‘All of the winning stories demonstrated impressive ambition and deep love for storytelling, combined with an intimate understanding of place. The judges were unanimous in their admiration of the ambition of these stories to tackle difficult metaphysical and historical questions while displaying a real mastery of craft to deliver gripping stories for the readers.’

Bilal Tanweer is joined on the international judging panel by a judge representing each of the five Commonwealth regions: Rémy Ngamije (Africa), Ameena Hussein (Asia), Katrina Best (Canada and Europe), Mac Donald Dixon (Caribbean) and Dr. Selina Tusitala Marsh (Pacific).

The five regional winning stories will be published online by the literary magazine Granta on 24 May. They will also be published in a special print edition by Paper + Ink, available online and in bookshops from 27 June.

Press contact: Ruth Killick publicity@ruthkillick.co.uk
Commonwealth Writers contact: creatives@commonwealthfoundation.com

  • Africa
    The Undertaker's Apprentice
    Hana Gammon
    South Africa

    The Undertaker’s Apprentice follows the story of a group of children and their interactions with their small town’s sombre but kind mortician. As they grow up, they are forced to question issues of growth, decay, and exchange between different states of being.

    Read their story on Granta (external)

    ‘A carefully observed, patiently narrated, and exquisitely written story about youth and the ways in which we come to adulthood through experiencing loss and death. There is, at its heart, a complex examination of the exchanges made between the living and the dead, the young and the old, and the experienced and the naive. Gammon’s command of language is gentle but powerful and provides each reader with their own way of coming to terms with the fruits of its reading. Through its strangely refreshing narrative and poignant ruminations, it shows the diversity of stories from the African continent; its selection as Africa Regional Winner is a testament to the richness of continental storytelling and the ability for stories to be both intensely personal and universal.’

    Rémy Ngamije, Judge, Africa region

    Hana Gammon was born in Cape Town, South Africa, in 2002, and has had a love for writing ever since she could first pick up a pen. She is currently studying for a BA in Language and Culture at the University of Stellenbosch, South Africa.

    ‘I was surprised and absolutely ecstatic when I heard that my story had been selected as the regional winner. I wasn’t expecting it to get so far in the competition, especially since I’m an unpublished writer. I hope that my story will be able to speak, in a soft but clear voice, to its readers, and that it might contribute in its own small way to how we embrace life, death, and change. These themes have become even closer to me since my Oupa passed away at the beginning of this year. He was an esteemed writer and academic, and one of the first people to encourage my love for writing. I would like to dedicate this story to him.’

    - Hana Gammon
    Listen to the author talk about their submission
  • Asia
    Oceans Away From My Homeland
    Agnes Chew
    Singapore

    Oceans Away from My Homeland is about a woman’s struggle to confront the perceived changes in her life—both of and beyond her own making.

    Read their story on Granta (external)

    ‘Once in a while there comes a story that you just can’t let go of. From the first time I read ‘Oceans away from my Homeland’, the story gripped me. It is unusual in its setting in that it is out of Asia and yet very Asian. It is also beautifully told and possesses a vulnerability that deals with the balance of life and death. In fact, this little story holds a lot of issues at its heart. In the end it is a very human story that tackles migration, language, displacement, fear, hope and, most importantly of all, love. This was a gem of a story for me.’

    Ameena Hussein, Judge, Asian Region

    Agnes Chew is the author of ‘Eternal Summer of My Homeland’ (forthcoming from Epigram Books) and ‘The Desire for Elsewhere’ (Math Paper Press, 2016). Her work has appeared in Necessary Fiction, Wildness Journal, and NonBinary Review, among others. She holds a Master’s degree in international development from the London School of Economics. Born and raised in Singapore, she is currently based in Germany.

    ‘Writing is often a solitary journey, one that compels you to venture to places dark and unknown; and so this news arrives like a luminous orb of joy and affirmation. At heart, ‘Oceans Away from My Homeland’ is a story of love, loss and the fluidity of identity. To have my story published in Granta is a writing dream come true. I am incredibly grateful to the judging panel, the prize and the people behind it—for making all this possible, and for their dedication to celebrating diversity in literature.’

    - Agnes Chew
    Listen to the author talk about their submission
  • Canada & Europe
    Lech, Prince, and the Nice Things
    Rue Baldry
    United Kingdom

    A young, Black plasterer, drawn to committing petty acts of revenge against his employer’s neglected possessions, risks becoming more diminished than those status symbols.

    Read their story on Granta (external)

    ‘A genuinely surprising and unexpectedly moving story that explores such weighty–and timely–topics as racism, classism and inequality in modern-day Britain, yet is never heavy-handed thanks to the writer’s comedic sensibility and talent for observing the minutiae of everyday life. The writer’s considerable skill is evident in every element of this story, including deft observations, evocative descriptions, fully realised, complex and sympathetic characters, believable dialogue, and an expertly crafted narrative that is infused throughout with wry humour. … A very well deserved win, and I look forward to reading more work by this talented author in the future.’

    Katrina Best, Judge, Canada and Europe Region

    Rue Baldry is a British author represented by Blake Friedmann. She lives in York, has a Creative Writing MA from Leeds University, was a Bridge Awards Emerging Writer, Jerwood/Arvon mentee and Women’s Prize Discoveries longlistee. Her twenty-four story publications include stories in Ambit, Mslexia, Fairlight Shorts, Litro, Honest Ulsterman, MIR, and The First Line. Her work has placed in several competitions, including coming second in the Yeovil Prize. Her debut novel, Dwell, is currently on submission.

    ‘I feel very honoured that ‘Lech, Prince and the Nice Things’, has been chosen as a regional winner of the prize, out of so many stories by so many serious and, judging by previous years, talented and engaging writers. It is pleasing beyond words, but also feels somewhat bizarre, that the story of a character who for many months existed only inside my mind, has been experienced, even more so appreciated, by such esteemed, knowledgeable judges, and is now going to be shared with so many more readers through Granta.’

    - Rue Baldry
    Listen to the author talk about their submission
  • Caribbean
    Ocoee
    Kwame McPherson
    Jamaica

    The story is an interweaving of African American reality and history, and Caribbean folklore since there are many stories in the African Diaspora experience to share.

    Read their story on Granta (external)

    ‘Kwame McPherson’s story, ‘Ocoee’, is a memorial to the enduring nature of the human spirit. It is a simple tale retold in a surreal atmosphere of creative uneasiness. Images awake in the subconscious and, without pointing fingers, remind us of man’s inhumanity to man.’

    Mac Donald Dixon, Judge, Caribbean Region

    A past student of London Metropolitan University and the University of Westminster, Kwame McPherson is a 2007 Poetic Soul winner and was the first Jamaican Flash Fiction Bursary Awardee for The Bridport Prize: International Creative Writing Competition in 2020. A prolific writer, Kwame is a recent and successful contributor to Flame Tree Publishing’s (UK) diverse-writing anthologies and a contributor to The Heart of a Black Man anthology to be published in Los Angeles, which tells personal inspiring, uplifting and empowering stories from influential and powerful Black men.

    ‘Stories make up the tapestry of our everyday lives. They are created, nurtured, displayed and demonstrated on television, social media, our phones, in movies and newspapers, and, importantly, in our own minds. They manifest in how individuals, families, communities and the wider society interact and relate. And then, like a pot of delicious manish water soup, they are mixed into the entire world’s own story to be read, uplifted and absorbed. When used in the right way, stories can make our lives richer-those ones gone before and those yet to come.’

    - Kwame McPherson
    Listen to the author talk about their submission
  • Pacific
    Kilinochchi
    Himali McInnes
    New Zealand

    Set during a particularly bloody time in Sri Lanka’s civil war, the protagonist, an up-country Tamil tea-picker, comes from a long line of indentured labourers.

    Read their story on Granta (external)

    ‘Nothing is ever simple, nothing is ever straightforward–except a mother’s unwavering desire to find her child. Crossing continents, moving through cultural collisions, and chaotic inner and outer journeys of human trauma and resilience, ‘Kilinochi’ moves between New Zealand and Sri Lanka, Tamil and Sinhala, the living who repel, and the dead who guide. An unforgettable story that explores family loyalty, gender, class and social inequity, war, life in diaspora, and our fundamental need to belong. We discover that what can never be stolen, destroyed or lost, is love.’

    Dr. Selina Tusitala Marsh, Judge, Pacific Region

    Himali McInnes works as a family doctor in a busy Auckland practice and in the prison system. She is a constant gardener, a chicken farmer, and a beekeeper. Himali writes short stories, essays, flash fiction and poetry, and has been published in various journals and anthologies. Her non-fiction book The Unexpected Patient was published in 2021.

    It is a huge honour to be counted alongside such rich, varied stories from around the world, written by people who bring so much of their particular place, time and patois to their work. ‘Kilinochchi’ draws on the disparate themes of civil war, indentured servitude, the formation of identity, and the supernatural. It is a story that just spilled out of me; once the person of Nisha appeared in my mind, the rest followed, and I couldn’t stop writing. The narrative of this story is influenced by my identity as a Sri Lankan New Zealander who doesn’t feel fully at home in either country, and by the sadness I feel over the blood that has been shed on Lankan soil.

    - Himali McInnes
    Listen to the author talk about their submission
  • The Shortlist

    • Price Tags
      Buke Abduba
      Kenya

      Price Tags is about a young girl who leaves home to buy a good life, unaware of just how much it would cost her. 

      ‘He wears the same old dirt colored t-shirt, and a kikoi – this one new, that hangs so callously off his waist I fear it will fall. I study him a little too long and when the silence grows too loud for our comfort, he clears his throat and I blurt out that I’ve missed him before I can stop myself.’

      Buke Abduba was born in 1998 in Sololo and raised in Moyale, Kenya. An unpublished writer, Buke began writing in 2015, shortly after losing her father to cancer.

      Listen to the author talk about their submission
    • Arboretum
      H. B. Asari
      Nigeria

      Arboretum is a short story that interrogates grief both collective and personal, and asks, ‘How do we pick ourselves up and keep going in the face of overwhelming tragedy.’ 

      ‘No one knows why people started to turn into trees, but everyone knows the first. It was a baby in Japan, a girl, and no one knows if she turned in her mother’s womb or a moment after her introduction to this harsh world. Her name was meant to be Yumi Murakami and she was born a sakura seedling.’

      H. B. Asari is a student at the University of Lagos. Her short fiction has been published in The Voyage Journal. 

      Listen to the author talk about their submission
    • The Undertaker's Apprentice
      Hana Gammon
      South Africa

      The Undertaker’s Apprentice follows the story of a group of children and their interactions with their small town’s sombre but kind mortician. As they grow up, they are forced to question issues of growth, decay, and exchange between different states of being.

      ‘I suppose that, when one’s living is made up of dressing up the dead and putting them into the ground, one must be prepared to answer a great many morbid questions, especially from children. Who decides which clothes a corpse should wear when it is buried? How are the mouth and eyes held shut?’

      Hana Gammon was born in Cape Town, South Africa, in 2002, and has had a love for writing ever since she could first pick up a pen. She is currently studying for a BA in Language and Culture at the University of Stellenbosch, South Africa.

      Listen to the author talk about their submission
    • Oceans Away From My Homeland
      Agnes Chew
      Singapore

      Oceans Away from My Homeland is about a woman’s struggle to confront the perceived changes in her life—both of and beyond her own making.

      ‘My husband guides my finger over the curve of my breast. My heartbeat quickens. Then I feel what he’s felt. Desire drains from my body. What was once familiar becomes foreign. I look down at my bare chest, unable to see the orb nestled in soft tissue that shifts beneath my fingertips.’

      Agnes Chew is the author of ‘Eternal Summer of My Homeland’ (forthcoming from Epigram Books) and ‘The Desire for Elsewhere’ (Math Paper Press, 2016). Her work has appeared in Necessary Fiction, Wildness Journal, and NonBinary Review, among others. She holds a Master’s degree in international development from the London School of Economics. Born and raised in Singapore, she is currently based in Germany.

      Listen to the author talk about their submission
    • Lech, Prince, and the Nice Things
      Rue Baldry
      United Kingdom

      A young, Black plasterer, drawn to committing petty acts of revenge against his employer’s neglected possessions, risks becoming more diminished than those status symbols.

      ‘That night, Lisa wants to go to a bar, but neither of us have been paid yet, so instead, we sit on my bed, eating pasta out of the saucepan and watching Pottery Throwdown until I distract her by stroking her tights. She smells of Surf fabric softener and the Colonel’s secret recipe.’

      Rue Baldry is a British author represented by Blake Friedmann. She lives in York, has a Creative Writing MA from Leeds University, was a Bridge Awards Emerging Writer, Jerwood/Arvon mentee and Women’s Prize Discoveries longlistee. Her twenty-four story publications include stories in Ambit, Mslexia, Fairlight Shorts, Litro, Honest Ulsterman, MIR, and The First Line. Her work has placed in several competitions, including coming second in the Yeovil Prize. Her debut novel, Dwell, is currently on submission.

      Listen to the author talk about their submission
    • Ocoee
      Kwame McPherson
      Jamaica

      The story is an interweaving of African American reality and history, and Caribbean folklore since there are many stories in the African Diaspora experience to share.

      ‘Suddenly, a ping. I glanced at the notification; a blob immediately appeared on my GPS that was not there before. Its name came up as Ocoee. I squinted, there was a town up ahead; I could see its lights on the horizon and building outlines. Its name made no impression on me and it sounded like one those haunted places always found in the back of some beyond.’

      A past student of London Metropolitan University and the University of Westminster, Kwame McPherson is a 2007 Poetic Soul winner and was the first Jamaican Flash Fiction Bursary Awardee for The Bridport Prize: International Creative Writing Competition in 2020. A prolific writer, Kwame is a recent and successful contributor to Flame Tree Publishing’s (UK) diverse-writing anthologies and a contributor to The Heart of a Black Man anthology to be published in Los Angeles, which tells personal inspiring, uplifting and empowering stories from influential and powerful Black men.

      Listen to the author talk about their submission
    • Kilinochchi
      Himali McInnes
      New Zealand

      Set during a particularly bloody time in Sri Lanka’s civil war, the protagonist, an up-country Tamil tea-picker, comes from a long line of indentured labourers.

      ‘When Nisha performs the burial ceremony for her 26-year-old son, she has to imagine his body lowering into the earth. Cremation is impossible with an imaginary body, even though it’s the best way to release a soul. This ceremony, instead, is a commingling of Christian traditions practised by her husband Sam, and the ancient Hindu rites of Nisha’s ancestors.’

      Himali McInnes works as a family doctor in a busy Auckland practice and in the prison system. She is a constant gardener, a chicken farmer, and a beekeeper. Himali writes short stories, essays, flash fiction and poetry, and has been published in various journals and anthologies. Her non-fiction book The Unexpected Patient was published in 2021.

      Listen to the author talk about their submission
    • Mama Blue
      Michael Boyd
      South Africa

      The story of a man remembering his life through the memories of his neighbour, Mama Blue. With touches of the magical, ‘Mama Blue’ is about hope in our ever-changing world, and how we can use the past to look forward. 

      ‘She opened her hand delicately, like a flower. There was nothing inside.

      ‘Do you know how to hide an idea?’ she asked.

      I looked into the empty hand.

      She didn’t wait for me to answer. ‘By making it so small that no-one notices it.’’

      Michael Boyd grew up in Southern Africa before attending the University of Kent in the UK. After working at a number of film festivals, he decided on a career in teaching, and return to Africa. He now lives in Johannesburg, South Africa, where he has recently completed an MA in Creative Writing, during which he wrote his first novel. 

      Listen to the author talk about their submission
    • Deficiency Notice
      Arman Chowdhury
      Bangladesh

      Deficiency Notice tracks the daily life of a speech-impaired, eleven-year-old boy from a lower-middle class Christian family, living in Dhaka, Bangladesh. 

      ‘When evening approaches, the mosque blares the call to prayer. Michael finishes his homework. His parents finish their naps. They are in a bad mood because the sunset awakes strangeness in people. Or perhaps there is something inherently strange about his parents.’

      Arman Chowdhury is a writer from Dhaka, Bangladesh. He is an MFA candidate in Creative Writing at the University of Notre Dame. His work has been supported by the Loft Literary Center based in Minneapolis, Minnesota, and the Tin House Summer Workshop based in Portland, Oregon. 

      Listen to the author talk about their submission
    • Lost Boys
      Trevor Corkum
      Canada

      Lost Boys tells the story of Gideon, a 17-year old boy sent to a re-education camp for gay teenagers by his religious parents. 

      ‘Like her own pious mother in a world long ago, Mama is a God-fearing woman. If I were a more compassionate son, more steady in care and devotion, I would venture that what she longed for, in her deepest heart of hearts, was for my pure and eternal salvation.’

      Trevor Corkum lives on Prince Edward Island, along Canada’s East Coast. His fiction, non-fiction, and journalism have appeared widely in Canada’s leading periodicals, including Walrus, Toronto Star, and The Globe and Mail. In Canada, his work has been previously recognized with nominations for the CBC Short Story Prize, the CBC Nonfiction Prize, the Journey Prize, and the National Magazine Award for Fiction. Trevor’s debut novel The World After Us will be published by Doubleday Canada in 2024. 

      Listen to the author talk about their submission
    • Crossing Lake Abaya
      Gail Davey
      United Kingdom

      Crossing Lake Abaya is based on twenty years’ experience of working with people affected by a debilitating leg swelling condition called podoconiosis. Much still remains to be done to raise awareness in affected populations that the condition is preventable and treatable. 

      ‘I can tell that father is irritated that mother has not come for us, and probably also concerned that lunch may not be ready. He strides impatiently, pushing me forward, the blade hanging down behind him to just above his calves. We cross our neighbours’ fields and carry the ploughshare through the aloe bushes that form our fence.’

      Gail Davey is a medical epidemiologist who spent ten years living and working in Ethiopia. She is now UK-based, but continues to do research in East Africa. She has had one short story included in a competition anthology published by The Lancet, and another accepted by the Commonwealth Foundation’s online literary magazine adda. 

      Listen to the author talk about their submission
    • Sauce
      Jean Flynn
      Australia

      A story about a woman who makes a series of mistakes – some small, some not so small. 

      ‘I sent a text to my brother-in-law.

      It wasn’t meant for him. There were no words – just a picture. A photo. Clear as anything. I’d just got a new phone and the camera was deadset incredible. Somehow the lighting was amazing, too – that was just a fluke.’

      Jean Flynn lives in Australia. Jean spent most of her childhood sitting inside, writing. Her debut novel, Lovesick, won the inaugural XO Romance Prize in 2016. She has had short stories published in various anthologies.  

      Listen to the author talk about their submission
    • So Long, Gregor
      Mehdi M. Kashani
      Canada

      A divorced father seizes every opportunity to bond with his young son, even if it involves trapping a cockroach and calling it Gregor Samsa, but this Kafkaesque amusement doesn’t appeal to everyone. 

      ‘Kids ask all sorts of questions, and Ryan is no exception. I don’t have the answer to every one of his inquiries, but when I do, it fills me with dignity and self-assurance, especially in light of the recent developments during which I’ve been proven inadequate in several areas.’

      Mehdi M. Kashani lives and writes in Toronto, Canada. His fiction has appeared in many Canadian and American literary journals, notably Epiphany, Southern Humanities Review, EVENT, and Bellevue Literary Review. Two years ago, one of his stories was a finalist for Canada’s National Magazine Awards. He’s currently revising his debut novel, tentatively titled If You’re Reading This, I’m Dead. 

      Listen to the author talk about their submission
    • When this island disappears
      Dennis Kikira
      Papua New Guinea

      ‘When this island disappears’ is about a simple island fisherman who is sent on an unknown journey by his authoritarian chief to bring hope to save the islanders from the brutal impacts of global warming and sea level rise.

      ‘Waves – the anguish of the sea gods in pitch black darkness and midnight – squirt squalls of salt spray, its bitterness biting on the eyes, lips and breathing. Who can see through the night as the sea unleashes its anger in deep swells? The only sound, thunderous ripples conforming to the direction of wind.’

      Dennis Kikira is from the Autonomous Region of Bougainville in Papua New Guinea. An Environmentalist and Development Practitioner by profession, he studied environmental science and geography at the University of Papua New Guinea, and did a postgraduate degree in environmental management from the University of Queensland in Australia. An unpublished writer, Dennis has always written widely as a hobby. 

      Listen to the author talk about their submission
    • Η Ψαρού (The Fisherwoman)
      Eva Koursoumba
      Cyprus

      A story of a woman who lived her entire life as a misfit in a small town on a Greek island. She had a baby out of wedlock and faced shame, ridicule and pain. She turned to fishing to earn a living but stood out again as the only fisherwoman at the pier, despised by almost everyone in her community. She was only saved by the kindness of strangers.  

      It was late afternoon, and from the balcony of the flat she saw down at the waterfront three men, standing in a row, fishing with their rods. But her attention was turned to the only woman there, fishing a little further away, close to an opening formed by the rocks.

      Eva Koursoumba was born in Cyprus, and went to the University of Westminster in London, (B.A. Hons in Media Studies) and to the University of Southern California in Los Angeles, (Diploma in TV and Cinema Studies). After working in Cyprus TV and at advertising agency as Creative Director, she is now in Communications. Eva has written short stories, scripts, translated stage and radio plays, has published the novella Ποτέ ξανά τυρόπιτα, μακούς; (Never a cheese pie again, you hear?), the stage play Actus Reus, and the novel Πεταλούδες στο Μπάνιο (Butterflies in the bathroom), in Cyprus and in Greece. 

      ‘Η Ψαρού’ is translated from Greek into English by Lina Protopapa, a translator based in Nicosia, Cyprus. Her translation of Constantia Soteriou’s ‘Death Customs’ from Greek received the 2019 Commonwealth Short Story Prize and her translation of Nikolas Kyriacou’s ‘The Debt’ was shortlisted in 2020.

      Listen to the author talk about their submission
    • Relative Distance
      Shih-Li Kow
      Malaysia

      A man visits his ageing uncle and pretends he has returned from abroad. In the few days that they spend together, he navigates their shared history and old conflicts. 

      ‘I had forgotten how steep the staircases were in these pre-war buildings. The Airbnb I had rented for our holiday in Bentong was on the upper floor of a converted shophouse and Uncle climbed unsteadily ahead of me. His feet looked old and clumsy in his buckled slippers, and I braced to catch him in case he tripped.’

      Shih-Li Kow is a former chemical engineer and mall manager. Her novel The Sum of Our Follies was published in 2014 and the French edition (translated by Frederic Grellier) won the 2018 Prix du Premier Roman Etranger. Her collection Ripples and Other Stories was shortlisted for the 2009 Frank O’Connor International Short Story Award. Her short fiction has also been published in various journals and anthologies. 

      Listen to the author talk about their submission
    • Khicheenk!
      Usama Lali
      Pakistan

      In ‘Khicheenk! a son recounts the unusual, unfortunate and tragic circumstances that first brought his parents together, and how generational trauma has continued to shape and haunt him and his Punjabi feudal family over the years growing up. 

      ‘My mother married my father because her husband died and my father married my mother because his wife passed away. Shortly after their spouses’ deaths the elders convened in a baradari somewhere in our Punjabi village and decided they’d both be less sad together.’

      Usama Lali is a Pakistani writer born and raised in Punjab. He is currently finishing his MFA degree in fiction from the University of Washington, Seattle, where he also teaches undergraduate courses in English academic writing and composition as well as creative writing. 

      Listen to the author talk about their submission
    • Where the Winds Blow
      Cosmata A. Lindie
      Guyana

      A coming-of-age story about Iscar, firstborn son of the royal house of fearsome Caribbean hurricanes, learning to navigate the storms of life as a gentle breeze. 

      ‘But they had nothing to worry about; the Hurricane King was simply awaiting the birth of his first child. If all went as he anticipated, this new hurricane would grow in strength and fury to wreak havoc in the years to come, cementing his or her place as next in line to rule the powerful winds.’

      Cosmata A. Lindie is an Indigenous Guyanese artist and writer. In 2022 she was one of three Guyanese writers long-listed for the Brooklyn Caribbean Literary Festival’s Elizabeth Nunez Award for short fiction. As an artist she began participating in exhibitions on a national level after joining the Guyana Women Artists’ Association (GWAA). She currently resides in the town of New Amsterdam in Guyana.  

      Listen to the author talk about their submission
    • Road Trip and Fall
      Demoy Lindo
      Jamaica

      Zoology major Jermaine seeks to seize the opportunity created by a ‘friendly’ college road trip to recapture the heart of his beloved; to make her fall in love with him again.

      ‘‘Hey Jermaine, we did plan a road trip for this Saturday.  Let me know if you want to come’ I stare at the text message for a while.

      I don’t see why Charlie had to send me that text directly when we have big friend’s group on WhatsApp and I never see a single message ‘bout any trip, drop nor fell.’

      Demoy Lindo, born in Portland Cottage, is a 21 year old Jamaican poet, writer and Victician.  Currently a student at the University of the West Indies, he first stepped into the scene of literature when he was awarded the Jamaica Young Poet Laureate Prize in 2020.  Demoy has since been published in a few journals, including PREE literature and New Voices. 

      Listen to the author talk about their submission
    • Teef From Teef
      Deborah Matthews
      Trinidad and Tobago

      A quintessentially Caribbean story about an impromptu mango-seeking adventure that takes place on a hot August day, which leads us on a young boy’s journey to understanding his own resilience. 

      ‘I couldn’t quarrel with she as she big and I small, so I put on my school sneakers which was the only pair of shoes that I did go there with, and walk outside in the yard into a wall of heat. The sun was hot, and breeze wasn’t blowing. Typical of August morning in Trinidad that does burn away all the fine hairs in your face.’

      Deborah Lee Matthews has been a cultural worker in the field of theatre for almost twenty years. A current postgraduate student in Cultural Studies at the UWI St. Augustine in Trinidad & Tobago, she uses creative expression as a tool to cultivate conversations about lived experiences, community building, active resistance and kinaesthetic memory. 

      Listen to the author talk about their submission
    • Punching Lines
      Josiah Mbote
      Kenya

      An introspective exploration of the narrator’s state as a failed stand-up comedian. He dares to touch on some perennial as well as contemporary themes such as failure, love, depression, and the philosophy of life through a delicate interplay of comical and tragic lens. 

      ‘I don’t smoke cigars. Everyone thinks I do but I don’t. I just let them dangle between my lips and fancy the thought of lighting them up. I prefer using a lighter, not a matchstick. A lighter is more fanciful. In my imagination, that is. My imagination doesn’t stop there.’

      Josiah Mbote is a Kenyan Writer studying Pharmacy at the University of Nairobi, Kenya. His central drive for writing has been to express himself, although he is currently compiling his debut collection of short stories.

      Listen to the author talk about their submission
    • Because You Drowned
      Jay McKenzie
      United Kingdom

      On the idyllic paradise island of Nusa Penida, taxi driver Gede struggles to come to terms with the death of a tourist. 

      ‘Your rag doll remains flop as they spare all ceremony to get your body off the ledge with its puncturing teeth that hold you just above the now flat water. Your head hangs limply from your neck, bouncing with every jolt, every heave, every yank over the unforgiving cliff face.’

      Based on Australia’s Gold Coast, Jay McKenzie is a British writer and performing arts teacher, who has lived in the UK, Greece, Indonesia, Singapore and Australia. Her short stories, flash and micro fiction focus on small, intimate details of ordinary lives. She has twice won the Australian Writers Centre’s Furious Fiction flash contest, won the 2022 Exeter Story Prize and she recently placed first in the 5th Writer’s Playground Challenge. 

      Listen to the author talk about their submission
    • Falling from a knife tree
      Matshediso Radebe
      South Africa

      Falling From A Knife Tree is essentially scattered vignettes of the coming-of-age story of a piqued girl with divorced parents. 

      ‘He had his first knife fight at fifteen, came out of it unscathed and spent thirteen months in Drakenstein Correctional Centre. On his twenty-first, he got into a bar brawl and consequently served seven months for aggravated assault, which led him to drop out. Aunt says he never really cared about school.’

      Matshediso Radebe is a South African fiction writer. Born in 2000, Matshediso she enjoys writing character-based stories and troubled characters with interesting relationships and compelling dynamics drive her storytelling. Matshediso won the SA Writers College Short Story Competition in 2022. 

      Listen to the author talk about their submission
    • Catching Up
      Janeen Samuel
      Australia

      When a doctor acquires a new patient she is led to recall summer holidays of her childhood and a friendship which came to a sudden end. 

      ‘Genevieve. When did I last address someone by that name? Twenty-five years ago, surely. Those wide-apart blue eyes in the heart-shaped face; the wide mouth with its delicately curved upper lip; surely I recognise them. But a lot can change between twelve and thirty-seven, in a face and in a memory of a face.’

      Janeen Samuel was born in England but migrated to South Australia at the age of three.  She grew up in Adelaide, then moved to Queensland to study veterinary science.  An unpublished writer, she now lives in rural Victoria surrounded by slumbering volcanos, sheep, red-gum trees, and the occasional kangaroo.  

    • Sugartown
      Emma Sloley
      Australia

      The story of Glory, a terminally ill young woman who takes a holiday with friends and ends up baking a cake for a stranger, an awkward act of kindness that anchors her back to the world. 

      ‘No one called it the last vacation because that would have been morbid, but that’s what it was. They all knew it: Glory, and her brother Ben, and Ben’s friends Suzie and Taylor, who had elected to spend ten days all together in this strange desert city, renting two adjoining condos in a 1970s building with a kidney-shaped pool and a hot tub.’

      Emma Sloley’s fiction and creative non-fiction has appeared in Catapult, Literary Hub, Joyland, The Common, CRAFT, and the Masters Review Anthology, among many others. She is a two-time MacDowell fellow and Bread Loaf scholar, and her debut novel, Disaster’s Children, was published by Little A books in 2019. Born and raised in Australia, Emma now divides her time between California and the city of Mérida, Mexico. 

      Listen to the author talk about their submission
    • The Ovelias at Benzie Hill Dump
      Alexia Tolas
      Bahamas

      A 15-year-old boy is desperate to earn his grandfather’s approval and his brother’s respect, but when he joins his family on a trip to the local dump and learns the true secret to their wealth, he realizes that sometimes love requires great sacrifice. 

      ‘Today the dump smells like burning flesh. As Babou turns the corner into the Benzie Hill peninsula, I can taste it on my tongue: a film of charred hair and fat and bone. Reminds me of the day Alex arrived in Long Island from Corfu and Papou roasted a whole lamb in the front yard. It didn’t smell like this yesterday.’

      Alexia Tolas is a Bahamian writer whose narratives explore small-island life, drawing from local folktales and mythology. Her writing has been featured in Granta, adda, The Caribbean Writer, and Mislexia. She won the 2019 Commonwealth Short Story Prize Regional Award for the Caribbean, was shortlisted for the 2020 Sunday Times Audible Short Story Award, and in 2022, she received the Brooklyn Caribbean Literary Festival’s Elizabeth Nunez Award for Writers in the Caribbean. 

      Listen to the author talk about their submission
    • A Groom Like Shahrukh
      Vidhan Verma
      India

      When it comes to their marriages, the two childhood friends secretly vie, and compete for a groom like Shahrukh Khan, the Bollywood heartthrob.  A Groom like Shahrukh captures their journey, prayers and trepidations, as they go through arranged match-making 

      ‘Paro and Manju, bosom friends, had a common love interest – Shahrukh Khan. The epiphany of their love happened as they watched Shahrukh’s Dilwale Dilhuniya Le Jayenge at Lakshmi Talkies in the district headquarter of Datia. It was mutually professed on the tractor-trolley ride back to their little township of Bhander.’

      Vidhan Verma grew up in a small town in India and graduated with a degree in business. An unpublished writer, he’s now based in Banglalore but longs to go gathering stories in small town India. 

      Listen to the author talk about their submission
    • Principles of Accounting
      Rukshani Weerasooriya Wijemanne
      Sri Lanka

      The story of a young man, caught in a cycle of failure. He dreams of being ‘successful,’ and longs to find significance. But is he looking in the right places? 

      ‘Pulling out a banged up Nokia from his laptop bag, Mekala punches in the number he always wants to punch in at this time of the day. He treads the uneven pavement towards the bus stand, with the skill of a tired circus elephant.

      She picks up at last.’

      Rukshani Weerasooriya Wijemanne writes fiction, nonfiction, poetry, musical parodies, and rhyming stories. She holds a Master of Laws from King’s College London (2009). Rukshani lives in Colombo, Sri Lanka. 

      Listen to the author talk about their submission

    This year’s judging panel

    • Photo: Faizan Ahmad

      Bilal Tanweer

      Chair

      Bilal Tanweer’s novel The Scatter Here Is Too Great (HarperCollins) won the Shakti Bhatt First Book Prize and was shortlisted for the DSC Prize for South Asian Literature and the Chautauqua Prize (US). The novel has been translated into French and German. His translation of Muhammad Khalid Akhtar’s novel and stories was published as Love in Chakiwara and Other and received the PEN Translation Fund Grant. Bilal has also translated two novels by crime fiction writer, Ibn-e Safi, The House of Fear. His writings have appeared in local and international magazines including Granta, The New York Times, Dawn, and The Caravan. He lives and teaches in Lahore.

    • Photo: Abantu Book Festival

      Rémy Ngamije

      Judge, African Region

      Rémy Ngamije is a Rwandan-born Namibian writer and photographer. He is the founder, chairperson, and artministrator of Doek, an independent arts organisation in Namibia supporting the literary arts. He is also the editor-in-chief of Doek! Literary Magazine, the founder of the country’s only literary awards, the Bank Windhoek Doek Literary Awards, as well as the Doek Literary Festival, Namibia’s first international literary festival. Rémy is also the founding editor of the Doek Anthology, forthcoming in 2022.  His debut novel The Eternal Audience Of One was first published in South Africa by Blackbird Books and is available worldwide from Scout Press (S&S); it was honoured with a Special Mention at the inaugural Grand Prix Panafricain De Litterature in 2022. He won the Africa Regional Prize of the 2021 Commonwealth Short Story Prize and was shortlisted for the AKO Caine Prize for African Writing in 2021 and 2020. He was longlisted and shortlisted for the 2020 and 2021 Afritondo Short Story Prizes respectively. In 2019 he was shortlisted for Best Original Fiction by Stack Magazines.

    • Ameena Hussein

      Judge, Asian Region

      Ameena Hussein is a Sri Lankan author and co-founder of the Perera-Hussein Publishing House, the frontrunner for cutting-edge literature from emerging and established regional authors. Her non-fiction book on the fourteenth century Moroccan traveller Ibn Battuta, Chasing Tall Tales and Mystics: Ibn Battuta in Sri Lanka published end 2020 won the State Literary Prize for Humanities and was shortlisted for the Gratiaen Prize. Her novel The Moon in the Water was longlisted for the Man Asian Literary Award and the Dublin IMPAC. Her debut short story collection Fifteen was shortlisted for the Gratiaen Prize in 1999 and her second collection of short stories Zillij won the State Literary Prize in 2005. A Fellow of WrICE, writer digital residency and cultural exchange 2020 as well as being a fellow of the prestigious International Writer’s Program at the Iowa University (2005), she has been invited to teach at the University of Iowa creative writing Summer programs in 2016 and 2018.

    • Photo: Douglas Fry for Brackendale Consulting

      Katrina Best

      Judge, Canada and Europe Region

      Katrina Best is a British-Canadian author whose first book of short stories (Bird Eat Bird, Insomniac Press) won the 2011 regional Commonwealth Writers’ Prize for Best First Book (Canada and the Caribbean region). After two decades in Canada (based first in Vancouver, then Montreal) working primarily in the film and television industry, Katrina moved back to the UK with her family a few years ago, settling in the East Sussex countryside near Brighton. She continues to freelance as a writer, editor and story/ script consultant and is currently at work on her first novel.

    • Mac Donald Dixon

      Judge, Caribbean Region

      Mac Donald Dixon was born in Saint Lucia, West Indies. At sixteen, browsing through shelves at the St. Mary’s college library, he stumbled on ‘Twenty-Five Poems’ by Derek Walcott and knew from that moment he would write. Despite having written several short stories and plays and novels, he is best known for his poetry. He is also an accomplished dramatist, painter, and photographer.In 1994, his country honored him with the Saint Lucia medal of merit for his contribution to literature and photography, and in 2005 he was awarded Saint Lucia’s Cultural Development Foundation Lifetime Achievement Award. Dixon works as a full-time writer from his home in Castries.

    • Dr. Selina Tusitala Marsh

      Judge, Pacific Region

      Selina Tusitala Marsh (ONZM, FRSNZ) is the former Commonwealth Poet, New Zealand Poet Laureate and acclaimed performer and author. In 2019 she was made an Officer of the New Zealand Order of Merit for her services to poetry, literature and the Pacific community. In 2020 Selina was inducted as a Fellow of the Royal Society of New Zealand. Selina lectures in the English Department at the University of Auckland where she teaches Pacific Literature and Creative Writing. Selina has performed poetry for primary schoolers and presidents, queers and Queens. She has published three critically acclaimed collections of poetry, Fast Talking PI (2009), Dark Sparring (2013), Tightrope (2017). Her graphic memoir, Mophead (2019), won the Margaret Mahy Supreme Book in the 2020 NZ Book Awards for Children and Young Adults and won the PANZ Best Book Design for 2020. Its sequel, Mophead TU: The Queen’s Poem was shortlisted for the NZ Book Awards (2021). She has just completed Mophead: KNOT Book 3 and is working on a genre-bending graphic poetry anthology on first wave Pacific women poets from 16 Pacific Island nations.

    Frequently asked questions

    1. The prize is open to all Commonwealth citizens aged 18 and over –  please see the full list of Commonwealth countries here.

    2. The regional winners receive £2,500 and the overall winner receives a total of £5,000. The winning stories are published online by Granta and in a special print collection by Paper + Ink. The shortlisted stories are published in adda, the online literary magazine of the Commonwealth Foundation.

    3. The story must be between 2,000 and 5,000 words.

    4. The prize is only open to short fiction, but it can be in any fiction genre–science fiction, speculative fiction, historical fiction, crime, romance, literary fiction–and you may write about any subject you wish.

    5. Submissions are accepted in Bengali, Chinese, Creole, English, French, Greek, Malay, Maltese, Portuguese, Samoan, Swahili, Tamil, and Turkish. Stories that have been translated into English from any language are also accepted and the translator of any winning story receives additional prize money.

    6. Your submission must be unpublished in any print or online publication, with the exception of personal websites.

    7. Entries are initially assessed by a team of readers and a longlist of 200 entries is put before the international judging panel, comprising a chair and five judges, one from each of the Commonwealth regions – Africa, Asia, Canada and Europe, the Caribbean, and the Pacific. All judges read entries from all regions.

      Entries in other languages are assessed by relevant language readers and the best submissions are selected for translation into English to be considered for inclusion on the longlist.

      The judging panel select a shortlist of around twenty stories, from which five regional winners are chosen, one of which is chosen as the overall winner.